Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach)
The article points out the existent interaction among contemporary performances, virtual environments and some shamanistic healing ceremonies in America. It presents several classifications of performance art in relation to anthropology, definition camps and other new perspectives weighted against d...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2011
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/10527
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/nodo/article/view/53
https://repositorio.uan.edu.co/handle/123456789/10527
- Palabra clave:
- Performance
chamanismo
interacción
estética
creación
diseño
Performance
shamanism
interactive creativity
aesthetics
design
- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2011-06-142024-10-10T02:28:52Z2024-10-10T02:28:52Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/53https://repositorio.uan.edu.co/handle/123456789/10527The article points out the existent interaction among contemporary performances, virtual environments and some shamanistic healing ceremonies in America. It presents several classifications of performance art in relation to anthropology, definition camps and other new perspectives weighted against different artistic visions and theoretical frames, emphasizing on the degree of appropriation, usage and manipulation of traditional healing practices associated amid ritual observance, with the possible interrelations and interactivities of art signage, design and movement notions mediated by both the public and technology, in order to construct an idea of co-authorship of art works according to simulation strategies. It exposes the process of configuration, materialization and socialization of a particular creation system developed by the author, as well as its basic formulation pillars brought from interactivity media management, sign/art body experience and the critical reflection about the vision/tradition relationship on contemporary society towards healing shamanistic ceremonies, relational aesthetic experiences and culture transmission phenomena.El artículo plantea la interacción existente entre performances contemporáneos, entornos virtuales y algunas ceremonias chamánicas curativas americanas. Presenta clasificaciones del arte del performance relacionadas con la antropología, campos de definición y nuevas aproximaciones, contrastadas por diversos artistas y marcos teóricos, haciendo énfasis en el grado de apropiación, uso y manipulación de las prácticas curativas tradicionales vinculadas con aspectos ceremoniales, desde posibles interrelaciones e interactividades de interpretación de signos de arte, diseño y nociones de movimiento, mediados por la participación, tanto del público como de la tecnología, en aras de construir una idea de coautoría de la obra artística, de acuerdo a estrategias de simulación. Expone el proceso de configuración, materialización y socialización del particular sistema de creación del autor y sus pilares fundamentales de formulación, dados en el manejo de los medios de interactividad, la experiencia del cuerpo en el signo-arte y por último, la reflexión crítica sobre la relación tradición-visión contemporánea que se refiere a las ceremonias curativas chamánicas, la experiencia estética relacional y los fenómenos de transmisión.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/53/43https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 5 Núm. 10 (2011); 73 - 902346-092X1909-3888PerformancechamanismointeracciónestéticacreacióndiseñoPerformanceshamanisminteractive creativityaestheticsdesignVirtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach)Relaciones entre entornos virtuales con performances artísticos contemporáneos y algunas ceremonias chamánicas curativas americanas en una investigación-creacióninfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Rivera-Henao, Mauricio123456789/10527oai:repositorio.uan.edu.co:123456789/105272024-10-14 03:49:04.892metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
dc.title.es-ES.fl_str_mv |
Relaciones entre entornos virtuales con performances artísticos contemporáneos y algunas ceremonias chamánicas curativas americanas en una investigación-creación |
title |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
spellingShingle |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) Performance chamanismo interacción estética creación diseño Performance shamanism interactive creativity aesthetics design |
title_short |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
title_full |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
title_fullStr |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
title_full_unstemmed |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
title_sort |
Virtual environments and contemporary artistic performances in relation to some American shamanistic healing ceremonies (an interactive creativity approach) |
dc.subject.es-ES.fl_str_mv |
Performance chamanismo interacción estética creación diseño |
topic |
Performance chamanismo interacción estética creación diseño Performance shamanism interactive creativity aesthetics design |
dc.subject.en-US.fl_str_mv |
Performance shamanism interactive creativity aesthetics design |
description |
The article points out the existent interaction among contemporary performances, virtual environments and some shamanistic healing ceremonies in America. It presents several classifications of performance art in relation to anthropology, definition camps and other new perspectives weighted against different artistic visions and theoretical frames, emphasizing on the degree of appropriation, usage and manipulation of traditional healing practices associated amid ritual observance, with the possible interrelations and interactivities of art signage, design and movement notions mediated by both the public and technology, in order to construct an idea of co-authorship of art works according to simulation strategies. It exposes the process of configuration, materialization and socialization of a particular creation system developed by the author, as well as its basic formulation pillars brought from interactivity media management, sign/art body experience and the critical reflection about the vision/tradition relationship on contemporary society towards healing shamanistic ceremonies, relational aesthetic experiences and culture transmission phenomena. |
publishDate |
2011 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T02:28:52Z |
dc.date.available.none.fl_str_mv |
2024-10-10T02:28:52Z |
dc.date.none.fl_str_mv |
2011-06-14 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.es-ES.fl_str_mv |
Artículo revisado por pares |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/nodo/article/view/53 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/10527 |
url |
https://revistas.uan.edu.co/index.php/nodo/article/view/53 https://repositorio.uan.edu.co/handle/123456789/10527 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/nodo/article/view/53/43 |
dc.rights.es-ES.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.es-ES.fl_str_mv |
UNIVERSIDAD ANTONIO NARIÑO |
dc.source.es-ES.fl_str_mv |
REVISTA NODO; Vol. 5 Núm. 10 (2011); 73 - 90 |
dc.source.none.fl_str_mv |
2346-092X 1909-3888 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300398315372544 |