Problems in utopia: reflections on aesthetic theories in contemporary art

This paper analyzes the reasons why much of contemporary art continues to be an experience not yet assimilated today, focusing on the study of the factors that potentially determine the aesthetic experience of the work of art of our time; it raises a reflection that relates areas of cultural, artist...

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Tipo de recurso:
Article of journal
Fecha de publicación:
2022
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10694
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/1260
https://repositorio.uan.edu.co/handle/123456789/10694
Palabra clave:
arte contemporáneo
música contemporánea
artes visuales
discurso estético
contemporary art
contemporary music
visual arts
aesthetic theories
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Derechos de autor 2022 Antonio Félix Vico Prieto, Ángel Cagigas
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repository_id_str
spelling 2022-10-112024-10-10T02:31:29Z2024-10-10T02:31:29Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/126010.54104/nodo.v17n33.1260https://repositorio.uan.edu.co/handle/123456789/10694This paper analyzes the reasons why much of contemporary art continues to be an experience not yet assimilated today, focusing on the study of the factors that potentially determine the aesthetic experience of the work of art of our time; it raises a reflection that relates areas of cultural, artistic and historical knowledge, with a view to offering a work that delves into the creative processes of contemporary art and the origin of detachment between contemporary and public art. The statements about the presence of roman­tic culture and the need for a new viewer can offer light to place us in the reality of the problem, and possibly the excess of aesthetic discourse is the cause of it, as well as the abandonment of the theory of proportion and harmony in the plastic and visual arts, and the renunciation of the idea of narration in musical art.Este artículo analiza las razones de que gran parte del arte contemporáneo siga siendo una experiencia no asimilada aún en nuestros días, centrándose en el estudio de los factores que potencialmente determinan la experiencia estética en nuestra época, planteando una reflexión que relaciona áreas de conocimientos culturales, artísticos e históricos, con vistas a ofrecer un trabajo que profundice en los procesos creativos del arte contemporáneo y en el origen del desapego entre arte contemporáneo y público. Las teorías sobre la presencia de la cultura romántica y la necesidad de un nuevo espectador pueden ofrecer luz para situarnos en la realidad del problema, y posiblemente el exceso de discurso estético sea la causa del mismo, así como el abandono de la teoría de proporción y armonía en las artes plásticas y visuales, y la renuncia a la idea de narración en el arte musical.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1260/1130Derechos de autor 2022 Antonio Félix Vico Prieto, Ángel Cagigashttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 8-182346-092X1909-388810.54104/nodo.v17n33arte contemporáneomúsica contemporáneaartes visualesdiscurso estéticocontemporary artcontemporary musicvisual artsaesthetic theoriesProblems in utopia: reflections on aesthetic theories in contemporary artProblemas en la utopía: reflexiones sobre el discurso estético en el arte contemporáneoinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Vico Prieto, Antonio FélixCagigas, Ángel123456789/10694oai:repositorio.uan.edu.co:123456789/106942024-10-14 03:50:14.12metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Problems in utopia: reflections on aesthetic theories in contemporary art
dc.title.es-ES.fl_str_mv Problemas en la utopía: reflexiones sobre el discurso estético en el arte contemporáneo
title Problems in utopia: reflections on aesthetic theories in contemporary art
spellingShingle Problems in utopia: reflections on aesthetic theories in contemporary art
arte contemporáneo
música contemporánea
artes visuales
discurso estético
contemporary art
contemporary music
visual arts
aesthetic theories
title_short Problems in utopia: reflections on aesthetic theories in contemporary art
title_full Problems in utopia: reflections on aesthetic theories in contemporary art
title_fullStr Problems in utopia: reflections on aesthetic theories in contemporary art
title_full_unstemmed Problems in utopia: reflections on aesthetic theories in contemporary art
title_sort Problems in utopia: reflections on aesthetic theories in contemporary art
dc.subject.es-ES.fl_str_mv arte contemporáneo
música contemporánea
artes visuales
discurso estético
topic arte contemporáneo
música contemporánea
artes visuales
discurso estético
contemporary art
contemporary music
visual arts
aesthetic theories
dc.subject.en-US.fl_str_mv contemporary art
contemporary music
visual arts
aesthetic theories
description This paper analyzes the reasons why much of contemporary art continues to be an experience not yet assimilated today, focusing on the study of the factors that potentially determine the aesthetic experience of the work of art of our time; it raises a reflection that relates areas of cultural, artistic and historical knowledge, with a view to offering a work that delves into the creative processes of contemporary art and the origin of detachment between contemporary and public art. The statements about the presence of roman­tic culture and the need for a new viewer can offer light to place us in the reality of the problem, and possibly the excess of aesthetic discourse is the cause of it, as well as the abandonment of the theory of proportion and harmony in the plastic and visual arts, and the renunciation of the idea of narration in musical art.
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:31:29Z
dc.date.available.none.fl_str_mv 2024-10-10T02:31:29Z
dc.date.none.fl_str_mv 2022-10-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1260
10.54104/nodo.v17n33.1260
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10694
url https://revistas.uan.edu.co/index.php/nodo/article/view/1260
https://repositorio.uan.edu.co/handle/123456789/10694
identifier_str_mv 10.54104/nodo.v17n33.1260
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1260/1130
dc.rights.es-ES.fl_str_mv Derechos de autor 2022 Antonio Félix Vico Prieto, Ángel Cagigas
https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2022 Antonio Félix Vico Prieto, Ángel Cagigas
https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 8-18
dc.source.none.fl_str_mv 2346-092X
1909-3888
10.54104/nodo.v17n33
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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