El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota

The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...

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Autores:
Chacón-Cervera, Juan Camilo
Cuesta, Oscar
Tipo de recurso:
Article of investigation
Fecha de publicación:
2013
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5565
Acceso en línea:
http://revistas.uan.edu.co/index.php/nodo/article/view/85
http://repositorio.uan.edu.co/handle/123456789/5565
Palabra clave:
Art
politics
education
colonialism
socialization
memory
Arte
lo político
educación
colonialismo
socialización
memoria
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/5565
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Chacón-Cervera, Juan CamiloCuesta, Oscar2021-11-10T01:00:05Z2021-11-10T01:00:05Z2013-06-14http://revistas.uan.edu.co/index.php/nodo/article/view/85http://repositorio.uan.edu.co/handle/123456789/5565The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well.El artículo reflexiona sobre la posibilidad del arte como espacio de interacción, creación y trasformación de mundos donde lo político es un eje fundamental en la constitución de subjetividades. Para ello, se analiza el arte como escenario convergente de mundos, perspectivas y cosmovisiones. En este marco, se observará al grafiti como expresión de lo político, especialmente, como una perspectiva que rescata saberes culturales propios desde la puesta de creaciones artísticas en el espacio público de Bogotá. Finalmente, se observan las posibilidades de socialización y edificación de memoria de las expresiones artísticas.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/85/672346-092X1909-3888REVISTA NODO; Vol. 7 Núm. 14 (2013); 65 - 76ArtpoliticseducationcolonialismsocializationmemoryArtelo políticoeducacióncolonialismosocializaciónmemoriaEl Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of BogotaEl grafiti como expresión artística que construye lo político: pluralidad de mundos y percepciones. Una mirada en BogotáArtículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5565oai:repositorio.uan.edu.co:123456789/55652024-10-09 22:39:00.687https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
dc.title.es-ES.fl_str_mv El grafiti como expresión artística que construye lo político: pluralidad de mundos y percepciones. Una mirada en Bogotá
title El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
spellingShingle El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
Art
politics
education
colonialism
socialization
memory
Arte
lo político
educación
colonialismo
socialización
memoria
title_short El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_full El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_fullStr El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_full_unstemmed El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
title_sort El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
dc.creator.fl_str_mv Chacón-Cervera, Juan Camilo
Cuesta, Oscar
dc.contributor.author.spa.fl_str_mv Chacón-Cervera, Juan Camilo
Cuesta, Oscar
dc.subject.en-US.fl_str_mv Art
politics
education
colonialism
socialization
memory
topic Art
politics
education
colonialism
socialization
memory
Arte
lo político
educación
colonialismo
socialización
memoria
dc.subject.es-ES.fl_str_mv Arte
lo político
educación
colonialismo
socialización
memoria
description The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well.
publishDate 2013
dc.date.issued.spa.fl_str_mv 2013-06-14
dc.date.accessioned.none.fl_str_mv 2021-11-10T01:00:05Z
dc.date.available.none.fl_str_mv 2021-11-10T01:00:05Z
dc.type.spa.fl_str_mv Artículo revisado por pares
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/85
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5565
url http://revistas.uan.edu.co/index.php/nodo/article/view/85
http://repositorio.uan.edu.co/handle/123456789/5565
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/85/67
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-092X
1909-3888
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 7 Núm. 14 (2013); 65 - 76
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1812928303277801472

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