El Graffiti as an art form and the construction of politics: multiple realms and perceptions. An overview of Bogota
The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can...
- Autores:
-
Chacón-Cervera, Juan Camilo
Cuesta, Oscar
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2013
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5565
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/nodo/article/view/85
http://repositorio.uan.edu.co/handle/123456789/5565
- Palabra clave:
- Art
politics
education
colonialism
socialization
memory
Arte
lo político
educación
colonialismo
socialización
memoria
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
| Summary: | The article proposes a meditation on art becoming a space for interaction, creation and transformation of different realms in which politics are a cornerstone in the constitution of subjectivities. Accordingly, it thinks about art as a scenario where all standpoints, perspectives and worldviews can converge, and graffiti can come into sight as an expression of politics, mainly, as a point of view repossessing local cultural knowledge out of artworks staged on Bogota’s public space. Finally, it argues if art forms such as graffiti have a chance at socializing and constructing memory as well. |
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