The voice, the verse and Alicia.
In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal ex...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2024
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/11356
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/vozavos/article/view/1950
https://repositorio.uan.edu.co/handle/123456789/11356
- Palabra clave:
- Rights
- License
- Derechos de autor 2024 Luis Ricardo Gaitán Osorio
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2024-06-202024-10-10T10:05:09Z2024-10-10T10:05:09Zhttps://revistas.uan.edu.co/index.php/vozavos/article/view/1950https://repositorio.uan.edu.co/handle/123456789/11356In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal expression through the creative interpretation of poetic texts, including bodywork in a consistent manner” and part of the thematic content states: “Creative interpretation (to be evaluated). Free verse: Analysis by ideas, Review of its sounds, Rhythm, Vocal exercises, The rest of the body in the poetic text; which implies a disadvantage for actors in training since they lack knowledge of Classical Baroque theater and its interpretation.En el programa académico de Licenciatura en Artes Escénicas; especialidad Actuación y Danza Contemporánea (formación de actores y bailarines) de ocho semestres, se imparten solo dos semestres la asignatura Voz I y Voz II, el programa de la materia uno, tiene como objetivos específicos: “Manejará su expresión vocal a través de la interpretación creativa de textos poéticos, incluyendo en ello trabajo corporal de manera consecuente” y parte del contenido temático señala: “Interpretación creativa (a evaluar). El verso libre: Análisis por ideas, Revisión de sus sonidos, Ritmo, Ejercicios vocales, El resto del cuerpo en el texto poético; lo cual implica una desventaja para los actores en formación en tanto que carecen del conocimiento del teatro Clásico del barroco y su interpretación.application/pdfspaUniversidad Antonio Nariñohttps://revistas.uan.edu.co/index.php/vozavos/article/view/1950/1483Derechos de autor 2024 Luis Ricardo Gaitán Osoriohttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2The Voz a Vos Bulletin ; Vol. 9 No. 17 (2024): Festive theater. Popular traditions and celebrations.; 5-8BOLETÍN VOZ A VOS; Vol. 9 Núm. 17 (2024): Teatro festivo. Tradiciones y celebraciones populares. ; 5-810.54104/vozavos.v9n17The voice, the verse and Alicia.La voz, el verso y Alicia.info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionReflexiones sobre las artes escénicashttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Gaitán Osorio, Luis Ricardo123456789/11356oai:repositorio.uan.edu.co:123456789/113562024-10-14 03:49:29.363metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
| dc.title.en-US.fl_str_mv |
The voice, the verse and Alicia. |
| dc.title.es-ES.fl_str_mv |
La voz, el verso y Alicia. |
| title |
The voice, the verse and Alicia. |
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The voice, the verse and Alicia. |
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The voice, the verse and Alicia. |
| title_full |
The voice, the verse and Alicia. |
| title_fullStr |
The voice, the verse and Alicia. |
| title_full_unstemmed |
The voice, the verse and Alicia. |
| title_sort |
The voice, the verse and Alicia. |
| description |
In the academic program of Bachelor of Performing Arts; Acting and Contemporary Dance specialty (training of actors and dancers) of eight semesters, only two semesters are taught the subject Voice I and Voice II, the program of subject one, has the specific objectives: “You will manage your vocal expression through the creative interpretation of poetic texts, including bodywork in a consistent manner” and part of the thematic content states: “Creative interpretation (to be evaluated). Free verse: Analysis by ideas, Review of its sounds, Rhythm, Vocal exercises, The rest of the body in the poetic text; which implies a disadvantage for actors in training since they lack knowledge of Classical Baroque theater and its interpretation. |
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2024 |
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2024-10-10T10:05:09Z |
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2024-10-10T10:05:09Z |
| dc.date.none.fl_str_mv |
2024-06-20 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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Reflexiones sobre las artes escénicas |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/resource_type/c_6501 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6501 |
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publishedVersion |
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https://revistas.uan.edu.co/index.php/vozavos/article/view/1950 |
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https://repositorio.uan.edu.co/handle/123456789/11356 |
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https://revistas.uan.edu.co/index.php/vozavos/article/view/1950 https://repositorio.uan.edu.co/handle/123456789/11356 |
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spa |
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spa |
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https://revistas.uan.edu.co/index.php/vozavos/article/view/1950/1483 |
| dc.rights.es-ES.fl_str_mv |
Derechos de autor 2024 Luis Ricardo Gaitán Osorio https://creativecommons.org/licenses/by-nc-sa/4.0 |
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http://purl.org/coar/access_right/c_abf2 |
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Derechos de autor 2024 Luis Ricardo Gaitán Osorio https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Universidad Antonio Nariño |
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The Voz a Vos Bulletin ; Vol. 9 No. 17 (2024): Festive theater. Popular traditions and celebrations.; 5-8 |
| dc.source.es-ES.fl_str_mv |
BOLETÍN VOZ A VOS; Vol. 9 Núm. 17 (2024): Teatro festivo. Tradiciones y celebraciones populares. ; 5-8 |
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10.54104/vozavos.v9n17 |
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Universidad Antonio Nariño |
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Repositorio Institucional UAN |
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alertas.repositorio@uan.edu.co |
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1814300445856759808 |