The mural painting of the city of Sogamoso and the construction of the public

The purpose of this work is to account for the narratives and the transformation of public space, manifes­ted in the mural painting in the Colombian city of Sogamoso. For this we have referred, as a source of ana­lysis, to a previous theoretical and historical approach, as well as to the photographi...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2024
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10728
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/1891
https://repositorio.uan.edu.co/handle/123456789/10728
Palabra clave:
Arte y ciudad
Espacio Público
Historia urbana
Pintura
art and city
public space
urban history
Paint
Rights
License
Derechos de autor 2024 David Francisco Llamosa
id UAntonioN2_8032068a78a380dd89e39210b94f31c1
oai_identifier_str oai:repositorio.uan.edu.co:123456789/10728
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling 2024-07-022024-10-10T02:32:13Z2024-10-10T02:32:13Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/189110.54104/nodo.v18n36.1891https://repositorio.uan.edu.co/handle/123456789/10728The purpose of this work is to account for the narratives and the transformation of public space, manifes­ted in the mural painting in the Colombian city of Sogamoso. For this we have referred, as a source of ana­lysis, to a previous theoretical and historical approach, as well as to the photographic record. Thus, unprecedented results are obtained in the study of the city and its relationship with the construction of its public spaces by artistic collectives. On the other hand, the artistic aspect —still very little recognized— is affirmed as an extension of the reality of the city itself. It is concluded how mural painting, in a visual laborato­ry, preferably defines urban art, and creates identity, me­mory and a city thought through citizen participation.El presente trabajo tiene como objeto dar cuenta de las narrativas y la transformación del espacio público, ma­nifestado en la pintura mural en la ciudad colombiana de Sogamoso. Para ello nos hemos remitido, como fuen­te de análisis, a un planteamiento teórico e histórico previo, así como al registro fotográfico. Se obtienen así resultados inéditos en el estudio de la ciudad y su relación con la construcción de sus espacios públicos por parte de los colectivos artísticos. De otro lado se afirma lo artístico —aún muy poco reconocido— como una extensión de la realidad misma de la ciudad.  Se concluye cómo la pintura mural, en un laboratorio visual, define de forma preferente el arte urbano, y crea identidad, memoria y un pensamiento de ciudad a través de la participación ciudadana.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1891/1497Derechos de autor 2024 David Francisco Llamosahttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 18 Núm. 36 (2024): Nodo 36; 37-562346-092X1909-388810.54104/nodo.v18n36Arte y ciudadEspacio PúblicoHistoria urbanaPinturaart and citypublic spaceurban historyPaintThe mural painting of the city of Sogamoso and the construction of the publicLa pintura mural de la ciudad de Sogamoso y la construcción de lo públicoinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Llamosa, David Francisco123456789/10728oai:repositorio.uan.edu.co:123456789/107282024-10-14 03:45:45.179metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv The mural painting of the city of Sogamoso and the construction of the public
dc.title.es-ES.fl_str_mv La pintura mural de la ciudad de Sogamoso y la construcción de lo público
title The mural painting of the city of Sogamoso and the construction of the public
spellingShingle The mural painting of the city of Sogamoso and the construction of the public
Arte y ciudad
Espacio Público
Historia urbana
Pintura
art and city
public space
urban history
Paint
title_short The mural painting of the city of Sogamoso and the construction of the public
title_full The mural painting of the city of Sogamoso and the construction of the public
title_fullStr The mural painting of the city of Sogamoso and the construction of the public
title_full_unstemmed The mural painting of the city of Sogamoso and the construction of the public
title_sort The mural painting of the city of Sogamoso and the construction of the public
dc.subject.es-ES.fl_str_mv Arte y ciudad
Espacio Público
Historia urbana
Pintura
topic Arte y ciudad
Espacio Público
Historia urbana
Pintura
art and city
public space
urban history
Paint
dc.subject.en-US.fl_str_mv art and city
public space
urban history
Paint
description The purpose of this work is to account for the narratives and the transformation of public space, manifes­ted in the mural painting in the Colombian city of Sogamoso. For this we have referred, as a source of ana­lysis, to a previous theoretical and historical approach, as well as to the photographic record. Thus, unprecedented results are obtained in the study of the city and its relationship with the construction of its public spaces by artistic collectives. On the other hand, the artistic aspect —still very little recognized— is affirmed as an extension of the reality of the city itself. It is concluded how mural painting, in a visual laborato­ry, preferably defines urban art, and creates identity, me­mory and a city thought through citizen participation.
publishDate 2024
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:32:13Z
dc.date.available.none.fl_str_mv 2024-10-10T02:32:13Z
dc.date.none.fl_str_mv 2024-07-02
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1891
10.54104/nodo.v18n36.1891
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10728
url https://revistas.uan.edu.co/index.php/nodo/article/view/1891
https://repositorio.uan.edu.co/handle/123456789/10728
identifier_str_mv 10.54104/nodo.v18n36.1891
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1891/1497
dc.rights.es-ES.fl_str_mv Derechos de autor 2024 David Francisco Llamosa
https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2024 David Francisco Llamosa
https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 18 Núm. 36 (2024): Nodo 36; 37-56
dc.source.none.fl_str_mv 2346-092X
1909-3888
10.54104/nodo.v18n36
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300277160804352

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