Theater as an alternative communication tool for living the otherness

This article addresses theater as an alternative communication tool to promote understanding and empathy between individuals in a world where communication is limited by interpretive filters and subjectivity. Theater, through acting, challenges the construction of closed identities and promotes open...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2024
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10725
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/1648
https://repositorio.uan.edu.co/handle/123456789/10725
Palabra clave:
Teatro
Comunicación alternativa
Alteridad
Comunicación alternativa
Teatro
Alteridad
Rights
License
Derechos de autor 2024 Jesús Gerardo Cervantes Flores
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network_name_str Repositorio UAN
repository_id_str
spelling 2024-06-102024-10-10T02:32:10Z2024-10-10T02:32:10Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/164810.54104/nodo.v18n36.1648https://repositorio.uan.edu.co/handle/123456789/10725This article addresses theater as an alternative communication tool to promote understanding and empathy between individuals in a world where communication is limited by interpretive filters and subjectivity. Theater, through acting, challenges the construction of closed identities and promotes openness towards otherness, allowing participants to live and represent life from the perspective of the other. The notion of the "other" as one who differs in beliefs, values, customs and experiences is highlighted, and it is pointed out that theater offers an opportunity to overcome the reification of the other by representing him/her/them in his/her/they diversity and complexity. The exercise of interpretation requires working on the inner configuration of the character, recognizing that both the character and themselves are being reconfigured in the process. Although it is recognized that theater has limitations, such as the impossibility of living from the interpretative framework of others and the risk that some actors or actresses focus on themselves instead of representing the other, its value as a tool that contributes to the construction of a more open and plural world is emphasized.El presente artículo aborda al teatro como una herramienta de comunicación alternativa para promover la comprensión y la empatía entre individuos en un mundo donde la comunicación se ve limitada por filtros interpretativos y de subjetividad. A través de la actuación, el teatro desafía la construcción de identidades cerradas y promueve la apertura hacia la otredad, permitiendo a los participantes vivir y representar la vida desde la perspectiva del otro. Se destaca la noción del "otro" como aquel que difiere en creencias, valores, costumbres y experiencias, y se señala que el teatro ofrece una oportunidad para superar la cosificación del otro al representarlo en su diversidad y complejidad. El ejercicio de interpretación exige trabajar en la configuración interior del personaje, reconociendo que tanto el personaje como ellos mismos están siendo reconfigurados en el proceso. Se reconocen ciertas limitaciones que tiene el teatro, como la imposibilidad de vivir desde el marco interpretativo ajeno y el riesgo de que algunos actores o actrices se centren en sí mismos en lugar de representar al otro, pero se enfatiza su valor como una herramienta que contribuye a la construcción de un mundo más abierto y plural.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1648/1489Derechos de autor 2024 Jesús Gerardo Cervantes Floreshttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 18 Núm. 36 (2024): Nodo 36; 29-362346-092X1909-388810.54104/nodo.v18n36TeatroComunicación alternativaAlteridadComunicación alternativaTeatroAlteridadTheater as an alternative communication tool for living the othernessEl teatro como una herramienta de comunicación alternativa para vivir desde el otroinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Cervantes Flores, Jesús Gerardo123456789/10725oai:repositorio.uan.edu.co:123456789/107252024-10-14 03:48:44.502metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Theater as an alternative communication tool for living the otherness
dc.title.es-ES.fl_str_mv El teatro como una herramienta de comunicación alternativa para vivir desde el otro
title Theater as an alternative communication tool for living the otherness
spellingShingle Theater as an alternative communication tool for living the otherness
Teatro
Comunicación alternativa
Alteridad
Comunicación alternativa
Teatro
Alteridad
title_short Theater as an alternative communication tool for living the otherness
title_full Theater as an alternative communication tool for living the otherness
title_fullStr Theater as an alternative communication tool for living the otherness
title_full_unstemmed Theater as an alternative communication tool for living the otherness
title_sort Theater as an alternative communication tool for living the otherness
dc.subject.es-ES.fl_str_mv Teatro
Comunicación alternativa
Alteridad
Comunicación alternativa
Teatro
Alteridad
topic Teatro
Comunicación alternativa
Alteridad
Comunicación alternativa
Teatro
Alteridad
description This article addresses theater as an alternative communication tool to promote understanding and empathy between individuals in a world where communication is limited by interpretive filters and subjectivity. Theater, through acting, challenges the construction of closed identities and promotes openness towards otherness, allowing participants to live and represent life from the perspective of the other. The notion of the "other" as one who differs in beliefs, values, customs and experiences is highlighted, and it is pointed out that theater offers an opportunity to overcome the reification of the other by representing him/her/them in his/her/they diversity and complexity. The exercise of interpretation requires working on the inner configuration of the character, recognizing that both the character and themselves are being reconfigured in the process. Although it is recognized that theater has limitations, such as the impossibility of living from the interpretative framework of others and the risk that some actors or actresses focus on themselves instead of representing the other, its value as a tool that contributes to the construction of a more open and plural world is emphasized.
publishDate 2024
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:32:10Z
dc.date.available.none.fl_str_mv 2024-10-10T02:32:10Z
dc.date.none.fl_str_mv 2024-06-10
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1648
10.54104/nodo.v18n36.1648
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10725
url https://revistas.uan.edu.co/index.php/nodo/article/view/1648
https://repositorio.uan.edu.co/handle/123456789/10725
identifier_str_mv 10.54104/nodo.v18n36.1648
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1648/1489
dc.rights.es-ES.fl_str_mv Derechos de autor 2024 Jesús Gerardo Cervantes Flores
https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2024 Jesús Gerardo Cervantes Flores
https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 18 Núm. 36 (2024): Nodo 36; 29-36
dc.source.none.fl_str_mv 2346-092X
1909-3888
10.54104/nodo.v18n36
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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