Bogota’s theaters as type and image of the city in 1970 and 2010

Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2010
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10517
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/39
https://repositorio.uan.edu.co/handle/123456789/10517
Palabra clave:
Tipos en arquitectura
teatros de Bogotá
salas de cine 1970
Architectural types
Theaters Bogota
Cinemas 1970
Rights
License
https://creativecommons.org/licenses/by-nc-sa/4.0
id UAntonioN2_718b8ed80c964870a63e43c3c06c5520
oai_identifier_str oai:repositorio.uan.edu.co:123456789/10517
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling 2010-12-142024-10-10T02:28:41Z2024-10-10T02:28:41Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/39https://repositorio.uan.edu.co/handle/123456789/10517Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes whether or not such cinemas could be considered as types, then it provides us with some reasons as to why public attendance shortened so suddenly, and finally it presents a complete account of the theaters functioning by the 1970s and theiractual condition as well. As a conclusion, it defines the percentage of those cinemas that currently preserve their façade and maintain their exterior appearance, those that have been recycled, their building-use changed, remodeled to reopen theirdoors as projection screens or other cultural purposes, and those that have been sadly demolished.Partiendo del concepto de tipo formulado por Aldo Rossi (1971), el artículo examina en qué medida este concepto puede ser aplicado a un corpus de fenómenos, tomando como objeto de estudio los teatros (salas de cine) de Bogotá, y cómo la evolución de la ciudad se refleja en dichas edificaciones. Se analiza si los teatros pueden ser considerados tipos o no; se exponen algunos motivos que redujeron la asistencia del público a las salas de cine; y se incluye un recuento de las salas que funcionaban en la década de 1970 y cuál es su estado actual. Como conclusión, se establece el porcentaje de salas (activas en la década de 1970) que actualmente mantienen su fachada y conservan su envolvente, las que han sido recicladas, las que cambiaron de uso, las que han sido remodeladas para reabrir sus puertas como salas de cine y otros eventos culturales, y las que han sido demolidas.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/39/31https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 5 Núm. 9 (2010); 41 - 582346-092X1909-3888Tipos en arquitecturateatros de Bogotásalas de cine 1970Architectural typesTheaters BogotaCinemas 1970Bogota’s theaters as type and image of the city in 1970 and 2010Teatros de Bogotá como tipo e imagen de la ciudad en 1970 y en 2010info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Camacho-Lotero, Sergio123456789/10517oai:repositorio.uan.edu.co:123456789/105172024-10-14 03:49:26.486metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Bogota’s theaters as type and image of the city in 1970 and 2010
dc.title.es-ES.fl_str_mv Teatros de Bogotá como tipo e imagen de la ciudad en 1970 y en 2010
title Bogota’s theaters as type and image of the city in 1970 and 2010
spellingShingle Bogota’s theaters as type and image of the city in 1970 and 2010
Tipos en arquitectura
teatros de Bogotá
salas de cine 1970
Architectural types
Theaters Bogota
Cinemas 1970
title_short Bogota’s theaters as type and image of the city in 1970 and 2010
title_full Bogota’s theaters as type and image of the city in 1970 and 2010
title_fullStr Bogota’s theaters as type and image of the city in 1970 and 2010
title_full_unstemmed Bogota’s theaters as type and image of the city in 1970 and 2010
title_sort Bogota’s theaters as type and image of the city in 1970 and 2010
dc.subject.es-ES.fl_str_mv Tipos en arquitectura
teatros de Bogotá
salas de cine 1970
topic Tipos en arquitectura
teatros de Bogotá
salas de cine 1970
Architectural types
Theaters Bogota
Cinemas 1970
dc.subject.en-US.fl_str_mv Architectural types
Theaters Bogota
Cinemas 1970
description Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes whether or not such cinemas could be considered as types, then it provides us with some reasons as to why public attendance shortened so suddenly, and finally it presents a complete account of the theaters functioning by the 1970s and theiractual condition as well. As a conclusion, it defines the percentage of those cinemas that currently preserve their façade and maintain their exterior appearance, those that have been recycled, their building-use changed, remodeled to reopen theirdoors as projection screens or other cultural purposes, and those that have been sadly demolished.
publishDate 2010
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:28:41Z
dc.date.available.none.fl_str_mv 2024-10-10T02:28:41Z
dc.date.none.fl_str_mv 2010-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/39
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10517
url https://revistas.uan.edu.co/index.php/nodo/article/view/39
https://repositorio.uan.edu.co/handle/123456789/10517
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/39/31
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 5 Núm. 9 (2010); 41 - 58
dc.source.none.fl_str_mv 2346-092X
1909-3888
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300408272650240

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