Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain
While throughout its two-thousand-year history the Catholic Church has always used the various arts to convey the message of Jesus Christ to the people, the sacred art of the 20th century is not very well known today. One of the reasons for this absence is the transition from the fascination with av...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2023
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/10721
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/nodo/article/view/1583
https://repositorio.uan.edu.co/handle/123456789/10721
- Palabra clave:
- España
arte
arte sacro
historia del arte
historia del siglo XX
--
Spain
art
sacred art
history of art
history of XXth century
--
Espanha
arte
arte sacra
história da arte
história do século XX
--
- Rights
- License
- Derechos de autor 2023 Esteban Fernández-Cobián
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|
dc.title.en-US.fl_str_mv |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
dc.title.es-ES.fl_str_mv |
Siete agitadores: Promotores del arte sacro contemporáneo en la España del siglo XX |
dc.title.pt-BR.fl_str_mv |
Sete agitadores: Promotores da arte sacra contemporânea na Espanha do século XX |
title |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
spellingShingle |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain España arte arte sacro historia del arte historia del siglo XX -- Spain art sacred art history of art history of XXth century -- Espanha arte arte sacra história da arte história do século XX -- |
title_short |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
title_full |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
title_fullStr |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
title_full_unstemmed |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
title_sort |
Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century Spain |
dc.subject.es-ES.fl_str_mv |
España arte arte sacro historia del arte historia del siglo XX -- |
topic |
España arte arte sacro historia del arte historia del siglo XX -- Spain art sacred art history of art history of XXth century -- Espanha arte arte sacra história da arte história do século XX -- |
dc.subject.en-US.fl_str_mv |
Spain art sacred art history of art history of XXth century -- |
dc.subject.pt-BR.fl_str_mv |
Espanha arte arte sacra história da arte história do século XX -- |
description |
While throughout its two-thousand-year history the Catholic Church has always used the various arts to convey the message of Jesus Christ to the people, the sacred art of the 20th century is not very well known today. One of the reasons for this absence is the transition from the fascination with avant-garde sacred art that took place in the ecclesiastical world after World War II to the interest in the conservation of the historical heritage in the last decades of the 20th century. This article reviews the careers of six promoters of sacred art in Spain -Josep Torrás, Luis Almarcha, Joan Ferrando Roig, Alfonso Roig, José Manuel de Aguilar and Juan Plazaola- who during the central decades of the 20th century promoted the decorative arts and art dedicated to divine worship, convinced that the mysteries of the Christian faith must be sensitively translated through the genius of artists. |
publishDate |
2023 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T02:32:04Z |
dc.date.available.none.fl_str_mv |
2024-10-10T02:32:04Z |
dc.date.none.fl_str_mv |
2023-11-30 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.es-ES.fl_str_mv |
Artículo revisado por pares |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/nodo/article/view/1583 10.54104/nodo.v18n35.1583 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/10721 |
url |
https://revistas.uan.edu.co/index.php/nodo/article/view/1583 https://repositorio.uan.edu.co/handle/123456789/10721 |
identifier_str_mv |
10.54104/nodo.v18n35.1583 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/nodo/article/view/1583/1367 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2023 Esteban Fernández-Cobián https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Derechos de autor 2023 Esteban Fernández-Cobián https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.es-ES.fl_str_mv |
UNIVERSIDAD ANTONIO NARIÑO |
dc.source.es-ES.fl_str_mv |
REVISTA NODO; Vol. 18 Núm. 35 (2023); 39-49 |
dc.source.none.fl_str_mv |
2346-092X 1909-3888 10.54104/nodo.v18n35 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
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1814300318894129152 |
spelling |
2023-11-302024-10-10T02:32:04Z2024-10-10T02:32:04Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/158310.54104/nodo.v18n35.1583https://repositorio.uan.edu.co/handle/123456789/10721While throughout its two-thousand-year history the Catholic Church has always used the various arts to convey the message of Jesus Christ to the people, the sacred art of the 20th century is not very well known today. One of the reasons for this absence is the transition from the fascination with avant-garde sacred art that took place in the ecclesiastical world after World War II to the interest in the conservation of the historical heritage in the last decades of the 20th century. This article reviews the careers of six promoters of sacred art in Spain -Josep Torrás, Luis Almarcha, Joan Ferrando Roig, Alfonso Roig, José Manuel de Aguilar and Juan Plazaola- who during the central decades of the 20th century promoted the decorative arts and art dedicated to divine worship, convinced that the mysteries of the Christian faith must be sensitively translated through the genius of artists.Aunque a lo largo de su bimilenaria historia la Iglesia católica siempre utilizó las distintas artes para transmitir a los pueblos el mensaje de Jesucristo, el arte sacro del siglo XX no es demasiado conocido en la actualidad. Una de las razones de esta ausencia es el tránsito que se produjo desde la fascinación por el arte sacro de vanguardia que se dio en el mundo eclesial tras la Segunda Guerra Mundial al interés por la conservación del patrimonio histórico en las últimas décadas del siglo XX. Este artículo repasa las trayectorias de siete promotores del arte sacro en España —Josep Torrás, Manuel Trens, Luis Almarcha, Joan Ferrando Roig, Alfonso Roig, José Manuel de Aguilar y Juan Plazaola— que durante las décadas centrales del siglo XX fomentaron las artes decorativas y el arte dedicado al culto divino, convencidos de que los misterios de la fe cristiana han de ser traducidos de manera sensible a través del genio de los artistas.Embora ao longo de seus dois mil anos de história a Igreja Católica sempre tenha usado as várias artes para transmitir a mensagem de Jesus Cristo ao povo, a arte sacra do século XX não é muito conhecida atualmente. Um dos motivos para essa ausência é a transição do fascínio pela arte sacra de vanguarda que ocorreu no mundo eclesiástico após a Segunda Guerra Mundial para o interesse na conservação do patrimônio histórico nas últimas décadas do século XX. Este artigo analisa as carreiras de sete promotores da arte sacra na Espanha - Josep Torrás, Manuel Trens, Luis Almarcha, Joan Ferrando Roig, Alfonso Roig, José Manuel de Aguilar e Juan Plazaola - que, durante as décadas centrais do século XX, promoveram as artes decorativas e a arte dedicada ao culto divino, convencidos de que os mistérios da fé cristã devem ser traduzidos com sensibilidade por meio do gênio dos artistas.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1583/1367Derechos de autor 2023 Esteban Fernández-Cobiánhttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 18 Núm. 35 (2023); 39-492346-092X1909-388810.54104/nodo.v18n35Españaartearte sacrohistoria del artehistoria del siglo XX--Spainartsacred arthistory of arthistory of XXth century--Espanhaartearte sacrahistória da artehistória do século XX--Seven Agitators: Promoters of Contemporary Sacred Art in Twentieth-Century SpainSiete agitadores: Promotores del arte sacro contemporáneo en la España del siglo XXSete agitadores: Promotores da arte sacra contemporânea na Espanha do século XXinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Fernández-Cobián, Esteban123456789/10721oai:repositorio.uan.edu.co:123456789/107212024-10-14 03:48:18.68metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |