Más allá del ruido: Una historia del Hip Hop en Colombia
This article is part of the research entitled “La palabra cantada como resistencia. hip hop, Revolución en Arte Popular”, the researcher developed as a thesis to qualify for the title of Master of Interdisciplinary Social Research at the Universidad Distrital Francisco José de Caldas. The concern re...
- Autores:
-
Pérez Romero, José Luis
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2010
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5245
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/papeles/article/view/252
http://repositorio.uan.edu.co/handle/123456789/5245
- Palabra clave:
- Hip hop
Music
identities
subjectivities
rap
history
resistance
break dance
graffiti
hip hop
música
identidades
subjetividades
rap
historia
resistencia
break dance
graffiti
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
| Summary: | This article is part of the research entitled “La palabra cantada como resistencia. hip hop, Revolución en Arte Popular”, the researcher developed as a thesis to qualify for the title of Master of Interdisciplinary Social Research at the Universidad Distrital Francisco José de Caldas. The concern revolves around establishing the origins of hip hop as a movement youth identity to rebuild its history, to trace the major influences that feed sound and its first appearance in North America, thus determining the conditions under which appears in Colombia and in determining a horizon in which one can understand the hip hop from a genealogical perspective, ie as a category of analysis for the social sciences today |
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