Emma Dietrich Holland. What is Called Theatre Nowadays?

La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the...

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Autores:
Betancur Madrid, Julieta
Tipo de recurso:
Article of journal
Fecha de publicación:
2017
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5364
Acceso en línea:
http://revistas.uan.edu.co/index.php/papeles/article/view/497
http://repositorio.uan.edu.co/handle/123456789/5364
Palabra clave:
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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network_name_str Repositorio UAN
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spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Betancur Madrid, Julieta2021-11-10T00:52:26Z2021-11-10T00:52:26Z2017-04-12http://revistas.uan.edu.co/index.php/papeles/article/view/497http://repositorio.uan.edu.co/handle/123456789/5364La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays?application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/papeles/article/view/497/4262346-09110123-0670PAPELES; Vol. 9 No. 18 (2017); 105-107PAPELES; Vol. 9 Núm. 18 (2017); 105-107Emma Dietrich Holland. What is Called Theatre Nowadays?info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5364oai:repositorio.uan.edu.co:123456789/53642024-10-09 23:27:29.575https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.es-ES.fl_str_mv Emma Dietrich Holland. What is Called Theatre Nowadays?
title Emma Dietrich Holland. What is Called Theatre Nowadays?
spellingShingle Emma Dietrich Holland. What is Called Theatre Nowadays?
title_short Emma Dietrich Holland. What is Called Theatre Nowadays?
title_full Emma Dietrich Holland. What is Called Theatre Nowadays?
title_fullStr Emma Dietrich Holland. What is Called Theatre Nowadays?
title_full_unstemmed Emma Dietrich Holland. What is Called Theatre Nowadays?
title_sort Emma Dietrich Holland. What is Called Theatre Nowadays?
dc.creator.fl_str_mv Betancur Madrid, Julieta
dc.contributor.author.spa.fl_str_mv Betancur Madrid, Julieta
description La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays?
publishDate 2017
dc.date.issued.spa.fl_str_mv 2017-04-12
dc.date.accessioned.none.fl_str_mv 2021-11-10T00:52:26Z
dc.date.available.none.fl_str_mv 2021-11-10T00:52:26Z
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/papeles/article/view/497
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5364
url http://revistas.uan.edu.co/index.php/papeles/article/view/497
http://repositorio.uan.edu.co/handle/123456789/5364
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/papeles/article/view/497/426
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-0911
0123-0670
dc.source.en-US.fl_str_mv PAPELES; Vol. 9 No. 18 (2017); 105-107
dc.source.es-ES.fl_str_mv PAPELES; Vol. 9 Núm. 18 (2017); 105-107
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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