Emma Dietrich Holland. What is Called Theatre Nowadays?
La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the...
- Autores:
-
Betancur Madrid, Julieta
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2017
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5364
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/papeles/article/view/497
http://repositorio.uan.edu.co/handle/123456789/5364
- Palabra clave:
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Betancur Madrid, Julieta2021-11-10T00:52:26Z2021-11-10T00:52:26Z2017-04-12http://revistas.uan.edu.co/index.php/papeles/article/view/497http://repositorio.uan.edu.co/handle/123456789/5364La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays?application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/papeles/article/view/497/4262346-09110123-0670PAPELES; Vol. 9 No. 18 (2017); 105-107PAPELES; Vol. 9 Núm. 18 (2017); 105-107Emma Dietrich Holland. What is Called Theatre Nowadays?info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5364oai:repositorio.uan.edu.co:123456789/53642024-10-09 23:27:29.575https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.es-ES.fl_str_mv |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
spellingShingle |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_short |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_full |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_fullStr |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_full_unstemmed |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_sort |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
dc.creator.fl_str_mv |
Betancur Madrid, Julieta |
dc.contributor.author.spa.fl_str_mv |
Betancur Madrid, Julieta |
description |
La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays? |
publishDate |
2017 |
dc.date.issued.spa.fl_str_mv |
2017-04-12 |
dc.date.accessioned.none.fl_str_mv |
2021-11-10T00:52:26Z |
dc.date.available.none.fl_str_mv |
2021-11-10T00:52:26Z |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/papeles/article/view/497 |
dc.identifier.uri.none.fl_str_mv |
http://repositorio.uan.edu.co/handle/123456789/5364 |
url |
http://revistas.uan.edu.co/index.php/papeles/article/view/497 http://repositorio.uan.edu.co/handle/123456789/5364 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/papeles/article/view/497/426 |
dc.rights.none.fl_str_mv |
Acceso abierto |
dc.rights.license.spa.fl_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Acceso abierto https://creativecommons.org/licenses/by-nc-sa/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Antonio Nariño |
dc.source.none.fl_str_mv |
2346-0911 0123-0670 |
dc.source.en-US.fl_str_mv |
PAPELES; Vol. 9 No. 18 (2017); 105-107 |
dc.source.es-ES.fl_str_mv |
PAPELES; Vol. 9 Núm. 18 (2017); 105-107 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
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1814300443902214144 |