Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda

The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally,...

Full description

Autores:
Barreto González, Juan José
Tipo de recurso:
Article of journal
Fecha de publicación:
2009
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5237
Acceso en línea:
http://revistas.uan.edu.co/index.php/papeles/article/view/244
http://repositorio.uan.edu.co/handle/123456789/5237
Palabra clave:
Neruda's poetical movement
compromised art
modern poetry
the daily things
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/5237
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Barreto González, Juan José2021-11-10T00:51:42Z2021-11-10T00:51:42Z2009-12-19http://revistas.uan.edu.co/index.php/papeles/article/view/244http://repositorio.uan.edu.co/handle/123456789/5237The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally, this paper proposes an analysis on the difference between the modern European poetry and Neruda’s poetical proposal in Latin America.El presente artículo se pregunta por el dilema de la segunda mitad del siglo XX para el escritor latinoamericano, y para ello retoma a un escritor emblemático, Pablo Neruda. En particular, aborda la cuestión del arte comprometido, una categoría simbólica para el análisis de la obra de Neruda. Finalmente, propone un análisis sobre la diferencia entre la poesía moderna europea y la propuesta poética de Neruda en América Latina.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/papeles/article/view/244/1992346-09110123-0670PAPELES; Vol. 1 No. 2 (2009); 14-19PAPELES; Vol. 1 Núm. 2 (2009); 14-19Neruda's poetical movementcompromised artmodern poetrythe daily thingsmovimiento poético de Nerudaarte comprometidopoesía modernalo cotidianoDesde lo ascendente a lo cotidiano: una lectura de Pablo Nerudainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5237oai:repositorio.uan.edu.co:123456789/52372024-10-09 22:44:38.61https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.es-ES.fl_str_mv Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
spellingShingle Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
Neruda's poetical movement
compromised art
modern poetry
the daily things
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
title_short Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_full Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_fullStr Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_full_unstemmed Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_sort Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
dc.creator.fl_str_mv Barreto González, Juan José
dc.contributor.author.spa.fl_str_mv Barreto González, Juan José
dc.subject.en-US.fl_str_mv Neruda's poetical movement
compromised art
modern poetry
the daily things
topic Neruda's poetical movement
compromised art
modern poetry
the daily things
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
dc.subject.es-ES.fl_str_mv movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
description The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally, this paper proposes an analysis on the difference between the modern European poetry and Neruda’s poetical proposal in Latin America.
publishDate 2009
dc.date.issued.spa.fl_str_mv 2009-12-19
dc.date.accessioned.none.fl_str_mv 2021-11-10T00:51:42Z
dc.date.available.none.fl_str_mv 2021-11-10T00:51:42Z
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/papeles/article/view/244
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5237
url http://revistas.uan.edu.co/index.php/papeles/article/view/244
http://repositorio.uan.edu.co/handle/123456789/5237
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/papeles/article/view/244/199
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-0911
0123-0670
dc.source.en-US.fl_str_mv PAPELES; Vol. 1 No. 2 (2009); 14-19
dc.source.es-ES.fl_str_mv PAPELES; Vol. 1 Núm. 2 (2009); 14-19
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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