Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally,...
- Autores:
-
Barreto González, Juan José
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2009
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5237
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/papeles/article/view/244
http://repositorio.uan.edu.co/handle/123456789/5237
- Palabra clave:
- Neruda's poetical movement
compromised art
modern poetry
the daily things
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
| Summary: | The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally, this paper proposes an analysis on the difference between the modern European poetry and Neruda’s poetical proposal in Latin America. |
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