Diseño del asiento anura enfocado en la representación simbólica de la cultura Quillacinga para la personalización de espacios habitables
The cultural history of the Quillacinga crafting, has faede over time, as very few documents registered their way to work with timber, so there is not a record of their different craftsman techniques, so the opportunity to develop a new aesthetic proposal in the furniture from the design of the Anur...
- Autores:
-
Figueroa Ariza, Duvan David
- Tipo de recurso:
- Trabajo de grado de pregrado
- Fecha de publicación:
- 2020
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/2796
- Acceso en línea:
- http://repositorio.uan.edu.co/handle/123456789/2796
- Palabra clave:
- Mobiliario Diseño industrial y artesanía Mopa
Mopa
Barniz de pasto Guanga Cultura Quillacinga
Furniture Industrial design and crafts Mopa
Mopa
Grass varnish Guanga Quillacinga culture
- Rights
- openAccess
- License
- Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
| Summary: | The cultural history of the Quillacinga crafting, has faede over time, as very few documents registered their way to work with timber, so there is not a record of their different craftsman techniques, so the opportunity to develop a new aesthetic proposal in the furniture from the design of the Anura seat that allows the personalization of a space and in this way the rescue, preservation and dissemination of different knowledge originating in the community from the perspective of industrial design, where it was developed A personalized artifact that represents the culture and techniques such as MOPA - MOPA and GUANGA, originating from the council, and also responsible terms and methodologies take root with the product design cycle under guidelines in the value chain as a process to create the artifact. |
|---|