Fuenteovejuna in the llanero style, between verses and joropos.
This paper is part of the memory of the systematization of the play Villaovejuna, a free version of the play Fuenteovejuna by Lope de Vega, the result of the Llanera Dance and Theater of the Middle Ages and Renaissance courses, of the Department of Performing Arts of the Antonio Nariño University at...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2023
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/11354
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/vozavos/article/view/1807
https://repositorio.uan.edu.co/handle/123456789/11354
- Palabra clave:
- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2023-12-192024-10-10T10:05:08Z2024-10-10T10:05:08Zhttps://revistas.uan.edu.co/index.php/vozavos/article/view/1807https://repositorio.uan.edu.co/handle/123456789/11354This paper is part of the memory of the systematization of the play Villaovejuna, a free version of the play Fuenteovejuna by Lope de Vega, the result of the Llanera Dance and Theater of the Middle Ages and Renaissance courses, of the Department of Performing Arts of the Antonio Nariño University at 2022-2. The analysis of this artistic-pedagogical experience was made from the systematization of the experiences of the creative process of the play. Which allowed us to recognize the fundamental strategies of the creation process; the work with the texts in its adaptation to the Orinoquia context and how to link the scenic action with the joropo, in the way that the verse will be transformed to images that were show in the stage, these were built each scene, then we reflect about the importance of scenic and pedagogical decisions for the understanding of the classics text in our context.Este texto hace parte de la memoria de la sistematización de la obra Villaovejuna, versión libre de Fuenteovejuna de Lope de Vega, resultado de los cursos de Danza llanera y Teatro de la edad media y del renacimiento, del Departamento de Artes escénicas de la Universidad Antonio Nariño de 2022-2. Se realizó el análisis de esta experiencia artístico pedagógica a partir de la sistematización de las experiencias del proceso creativo de la obra, lo cual permitió reconocer las estrategias fundamentales del proceso de creación; el trabajo con los textos en su adaptación al contexto llanero y cómo ligar la acción de la obra con el joropo, para que el verso se transformara en imágenes que se representaron en la escena, estas fueron tejiendo cada momento escénico y así se estructuró la obra, a partir de esto se llegó a la reflexión sobre la importancia de las decisiones escénicas y pedagógicas para la comprensión de los clásicos en nuestro contexto.application/pdfspaUniversidad Antonio Nariñohttps://revistas.uan.edu.co/index.php/vozavos/article/view/1807/1385https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2The Voz a Vos Bulletin ; Vol. 8 No. 16 (2023): Art, memory and knowledge; 31 - 36BOLETÍN VOZ A VOS; Vol. 8 Núm. 16 (2023): Arte, memoria y saberes; 31 - 3610.54104/vozavos.v8n16Fuenteovejuna in the llanero style, between verses and joropos.Fuenteovejuna a lo llanero, entre versos y joropos.info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionReflexiones sobre las artes escénicashttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Arenas Vanegas, Astrid CarolinaYepes Espinosa, Brenda DanielaValero Rozo, Yuly Andrea123456789/11354oai:repositorio.uan.edu.co:123456789/113542024-10-14 03:46:14.38metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Fuenteovejuna in the llanero style, between verses and joropos. |
dc.title.es-ES.fl_str_mv |
Fuenteovejuna a lo llanero, entre versos y joropos. |
title |
Fuenteovejuna in the llanero style, between verses and joropos. |
spellingShingle |
Fuenteovejuna in the llanero style, between verses and joropos. |
title_short |
Fuenteovejuna in the llanero style, between verses and joropos. |
title_full |
Fuenteovejuna in the llanero style, between verses and joropos. |
title_fullStr |
Fuenteovejuna in the llanero style, between verses and joropos. |
title_full_unstemmed |
Fuenteovejuna in the llanero style, between verses and joropos. |
title_sort |
Fuenteovejuna in the llanero style, between verses and joropos. |
description |
This paper is part of the memory of the systematization of the play Villaovejuna, a free version of the play Fuenteovejuna by Lope de Vega, the result of the Llanera Dance and Theater of the Middle Ages and Renaissance courses, of the Department of Performing Arts of the Antonio Nariño University at 2022-2. The analysis of this artistic-pedagogical experience was made from the systematization of the experiences of the creative process of the play. Which allowed us to recognize the fundamental strategies of the creation process; the work with the texts in its adaptation to the Orinoquia context and how to link the scenic action with the joropo, in the way that the verse will be transformed to images that were show in the stage, these were built each scene, then we reflect about the importance of scenic and pedagogical decisions for the understanding of the classics text in our context. |
publishDate |
2023 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T10:05:08Z |
dc.date.available.none.fl_str_mv |
2024-10-10T10:05:08Z |
dc.date.none.fl_str_mv |
2023-12-19 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.es-ES.fl_str_mv |
Reflexiones sobre las artes escénicas |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1807 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/11354 |
url |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1807 https://repositorio.uan.edu.co/handle/123456789/11354 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1807/1385 |
dc.rights.es-ES.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.es-ES.fl_str_mv |
Universidad Antonio Nariño |
dc.source.en-US.fl_str_mv |
The Voz a Vos Bulletin ; Vol. 8 No. 16 (2023): Art, memory and knowledge; 31 - 36 |
dc.source.es-ES.fl_str_mv |
BOLETÍN VOZ A VOS; Vol. 8 Núm. 16 (2023): Arte, memoria y saberes; 31 - 36 |
dc.source.none.fl_str_mv |
10.54104/vozavos.v8n16 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300300508397568 |