Experience as a pedagogical artistic principle in the building of graduates in the performing arts
We present in a brief way the theoretical and practical conception and foundation of teacher training of performing arts program at the Antonio Nariño University (UAN). This pedagogical commitment is constructed in dialogue from approaches, among other theorists, such as Dewey’s scientism, to the ba...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2017
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/10874
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/papeles/article/view/493
https://repositorio.uan.edu.co/handle/123456789/10874
- Palabra clave:
- convivencia
información
principio artístico-pedagógico
artes escénicas
experience
pedagogy
performing arts
principle in the building
- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2017-04-122024-10-10T02:35:02Z2024-10-10T02:35:02Zhttps://revistas.uan.edu.co/index.php/papeles/article/view/49310.54104/papeles.v9n18.493https://repositorio.uan.edu.co/handle/123456789/10874We present in a brief way the theoretical and practical conception and foundation of teacher training of performing arts program at the Antonio Nariño University (UAN). This pedagogical commitment is constructed in dialogue from approaches, among other theorists, such as Dewey’s scientism, to the background of the concept of vivencia (experience), collected by the teacher Delia Zapata Olivella (with the support of her brother the anthropologist Manuel Zapata Olivella), after years of touring the country and the world with her dance.Presentamos de un modo breve la concepción y fundamentación teórico-práctica del programa de la formación de profesores de las artes escénicas en la Universidad Antonio Nariño (UAN). Esta apuesta pedagógica se construye en diálogo desde planteamientos, entre otros teóricos, como el cientifismo de Dewey, hasta los antecedentes del concepto de vivencia, recogidos por la maestra Delia Zapata Olivella (con el apoyo de su hermano el antropólogo Manuel Zapata Olivella), tras años de recorrer el país y el mundo con su danza. La vivencia como principio artísticopedagógico en la formación de licenciados en artes escénicasapplication/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/papeles/article/view/493/422https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2Papeles; Vol. 9 No. 18 (2017); 56-62Papeles; Vol. 9 Núm. 18 (2017); 56-62Papeles; v. 9 n. 18 (2017); 56-622346-09110123-067010.54104/papeles.v9n18convivenciainformaciónprincipio artístico-pedagógicoartes escénicasexperiencepedagogyperforming artsprinciple in the buildingExperience as a pedagogical artistic principle in the building of graduates in the performing artsLa vivencia como principio artísticopedagógico en la formación de licenciados en artes escénicasinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Nieves Gil, Angélica del PilarLlerena Avendaño, Alexánder123456789/10874oai:repositorio.uan.edu.co:123456789/108742024-10-14 03:45:45.344metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
dc.title.es-ES.fl_str_mv |
La vivencia como principio artísticopedagógico en la formación de licenciados en artes escénicas |
title |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
spellingShingle |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts convivencia información principio artístico-pedagógico artes escénicas experience pedagogy performing arts principle in the building |
title_short |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
title_full |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
title_fullStr |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
title_full_unstemmed |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
title_sort |
Experience as a pedagogical artistic principle in the building of graduates in the performing arts |
dc.subject.es-ES.fl_str_mv |
convivencia información principio artístico-pedagógico artes escénicas |
topic |
convivencia información principio artístico-pedagógico artes escénicas experience pedagogy performing arts principle in the building |
dc.subject.en-US.fl_str_mv |
experience pedagogy performing arts principle in the building |
description |
We present in a brief way the theoretical and practical conception and foundation of teacher training of performing arts program at the Antonio Nariño University (UAN). This pedagogical commitment is constructed in dialogue from approaches, among other theorists, such as Dewey’s scientism, to the background of the concept of vivencia (experience), collected by the teacher Delia Zapata Olivella (with the support of her brother the anthropologist Manuel Zapata Olivella), after years of touring the country and the world with her dance. |
publishDate |
2017 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T02:35:02Z |
dc.date.available.none.fl_str_mv |
2024-10-10T02:35:02Z |
dc.date.none.fl_str_mv |
2017-04-12 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/papeles/article/view/493 10.54104/papeles.v9n18.493 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/10874 |
url |
https://revistas.uan.edu.co/index.php/papeles/article/view/493 https://repositorio.uan.edu.co/handle/123456789/10874 |
identifier_str_mv |
10.54104/papeles.v9n18.493 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/papeles/article/view/493/422 |
dc.rights.en-US.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.en-US.fl_str_mv |
UNIVERSIDAD ANTONIO NARIÑO |
dc.source.en-US.fl_str_mv |
Papeles; Vol. 9 No. 18 (2017); 56-62 |
dc.source.es-ES.fl_str_mv |
Papeles; Vol. 9 Núm. 18 (2017); 56-62 |
dc.source.pt-BR.fl_str_mv |
Papeles; v. 9 n. 18 (2017); 56-62 |
dc.source.none.fl_str_mv |
2346-0911 0123-0670 10.54104/papeles.v9n18 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300276910194688 |