Towards a new expanded radioart

In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2022
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10704
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/1366
https://repositorio.uan.edu.co/handle/123456789/10704
Palabra clave:
arte sonoro
intermedia
música electroacústica
radioarte
soundart
intermedia
electroacoustic music
radioart
Rights
License
Derechos de autor 2022 Manuel Rocha Iturbide
id UAntonioN2_46c34524096f99c226d46485eeac2e98
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network_name_str Repositorio UAN
repository_id_str
spelling 2022-10-112024-10-10T02:31:47Z2024-10-10T02:31:47Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/136610.54104/nodo.v17n33.1366https://repositorio.uan.edu.co/handle/123456789/10704In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and mu­sicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.  En este ensayo propongo abrir el concepto de radio­ar­te para enriquecer el género y acercarlo más a los dis­tintos estilos estéticos de la música electroacústica y del arte sonoro, ya que las instituciones radiofónicas y sus protagonistas se han ensimismado en una escue­ta y limitada definición de géneros del arte radial, que ha limitado las posibilidades expresivas de este interesante espacio eléctrico. Es necesario hacer un análisis comparativo de los lenguajes de estos tres campos (radioarte, arte sonoro y música electroacústica) para en­contrar sus convergencias. A partir de ahí, intento que los radioartistas se acerquen a los estilos estéticos de la electroacústica y del arte conceptual, y que los músicos y artistas de otras disciplinas se aproximen al radio­arte. Finalmente, hago un análisis histórico crítico del papel de las instituciones radiofónicas y culturales de México en un contexto internacional, recono­ciendo su papel protagonista en Latinoamérica, y proponiendo un apoyo mayor en la creación y difusión de obras sonoras para la radio.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/1366/1129Derechos de autor 2022 Manuel Rocha Iturbidehttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 45-542346-092X1909-388810.54104/nodo.v17n33arte sonorointermediamúsica electroacústicaradioartesoundartintermediaelectroacoustic musicradioartTowards a new expanded radioartHacia un radioarte expandidoinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Rocha Iturbide, Manuel123456789/10704oai:repositorio.uan.edu.co:123456789/107042024-10-14 03:45:41.562metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Towards a new expanded radioart
dc.title.es-ES.fl_str_mv Hacia un radioarte expandido
title Towards a new expanded radioart
spellingShingle Towards a new expanded radioart
arte sonoro
intermedia
música electroacústica
radioarte
soundart
intermedia
electroacoustic music
radioart
title_short Towards a new expanded radioart
title_full Towards a new expanded radioart
title_fullStr Towards a new expanded radioart
title_full_unstemmed Towards a new expanded radioart
title_sort Towards a new expanded radioart
dc.subject.es-ES.fl_str_mv arte sonoro
intermedia
música electroacústica
radioarte
topic arte sonoro
intermedia
música electroacústica
radioarte
soundart
intermedia
electroacoustic music
radioart
dc.subject.en-US.fl_str_mv soundart
intermedia
electroacoustic music
radioart
description In this essay I propose to open the concept of radio art in order to enrich it and to approach the different aesthetic styles of electroacústic music and sound art, because the radiophonic institutions and their protagonists have limited the definitions of radio art genres, limiting in this way the expressive possibilities of this interesting electric space. It is necessary to do a comparative analysis of the languages of these three fields (radio art, sound art and electroacoustic music) in order to find their convergences. From there, I am inviting radio artists to get closer to electroacoustic and conceptual art aesthetics to include in their works, and mu­sicians and all kind of artists to make radio art. Finally, I do an historical analysis of the radiophonic and cultural institutions in Mexico in an international context, acknowledging their protagonist role in Latin America, and proposing an increased support for the creation and diffusion of sound works for the radio.  
publishDate 2022
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:31:47Z
dc.date.available.none.fl_str_mv 2024-10-10T02:31:47Z
dc.date.none.fl_str_mv 2022-10-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1366
10.54104/nodo.v17n33.1366
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10704
url https://revistas.uan.edu.co/index.php/nodo/article/view/1366
https://repositorio.uan.edu.co/handle/123456789/10704
identifier_str_mv 10.54104/nodo.v17n33.1366
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/1366/1129
dc.rights.es-ES.fl_str_mv Derechos de autor 2022 Manuel Rocha Iturbide
https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2022 Manuel Rocha Iturbide
https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 17 Núm. 33 (2022): Estéticas emergentes; 45-54
dc.source.none.fl_str_mv 2346-092X
1909-3888
10.54104/nodo.v17n33
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300298271784960

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