Sibila: woman, music and tradition
Sibila: Woman, Music and Tradition it is a management and production project that seeks to recognize, value and make visible the contribution of women instrumentalists to the field of popular and traditional music in Colombia by carrying on a festival as a stage platform, allowing them to have a mor...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2021
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/11332
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/vozavos/article/view/1253
- Palabra clave:
- Reflexiones pedagógicas sobre las artes escénicas
- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2021-12-23https://revistas.uan.edu.co/index.php/vozavos/article/view/1253Sibila: Woman, Music and Tradition it is a management and production project that seeks to recognize, value and make visible the contribution of women instrumentalists to the field of popular and traditional music in Colombia by carrying on a festival as a stage platform, allowing them to have a more comprehensive participation in the different dimensions of the musical field, being aware of the importance of their contribution to culture and empowering themselves with their own expressions and creations, and, in the case of the festival, showing them to the public through scenarios favorable to it. Moreover, the festival has also established an academic strip: the conference-panel Women, Music and Tradition, which contributes to the transformation of collective thinking about the role of women in the social and cultural context, seeking also to change mentalities, stimulate reflections on professional development, sustainability, business creation, family influence, dependence on a cultural system that has been marked by different powers and whose access possibilities do not create equality, and a whole issue of inequality and lack of construction of spaces that strengthen the presence of women in the Colombian musical system.Sibila: Mujer, Música y Tradición es un proyecto de gestión y producción que busca reconocer, valorar y visibilizar, el aporte de las mujeres instrumentistas al campo de las músicas populares y tradicionales de Colombia por medio de la realización de un festival como plataforma escénica, permitiendo que tengan una participación más integral en las diferentes dimensiones del campo musical, siendo conscientes de la importancia de su aporte a la cultura y empoderándose de sus propias expresiones y creaciones, y, en el caso del festival, mostrándolas al público a través escenarios propicios para ello. Así mismo, el festival deja instaurada una franja académica: la conferencia-panel Mujer, Música y Tradición, que contribuye a la transformación del pensamiento colectivo sobre el papel de la mujer en el contexto social y cultural, buscando además, mover mentalidades, suscitar reflexiones en torno al desarrollo profesional, sostenibilidad, creación de empresa, influencia familiar, dependencia de un sistema cultural que se ha marcado por diferentes poderes y cuyas posibilidades de acceso no generan igualdad, y todo un tema de inequidad y falta de construcción de espacios que fortalezcan la presencia de la mujer en el sistema musical colombiano.application/pdfspaUniversidad Antonio Nariñohttps://revistas.uan.edu.co/index.php/vozavos/article/view/1253/971https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 17 - 25BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 17 - 25Reflexiones pedagógicas sobre las artes escénicasSibila: woman, music and traditionSibila: mujer, música y tradicióninfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionReflexiones sobre las artes escénicashttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85ARENAS VANEGAS., ASTRID CAROLINA123456789/11332oai:repositorio.uan.edu.co:123456789/113322024-10-14 03:50:44.444metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Sibila: woman, music and tradition |
dc.title.es-ES.fl_str_mv |
Sibila: mujer, música y tradición |
title |
Sibila: woman, music and tradition |
spellingShingle |
Sibila: woman, music and tradition Reflexiones pedagógicas sobre las artes escénicas |
title_short |
Sibila: woman, music and tradition |
title_full |
Sibila: woman, music and tradition |
title_fullStr |
Sibila: woman, music and tradition |
title_full_unstemmed |
Sibila: woman, music and tradition |
title_sort |
Sibila: woman, music and tradition |
dc.subject.es-ES.fl_str_mv |
Reflexiones pedagógicas sobre las artes escénicas |
topic |
Reflexiones pedagógicas sobre las artes escénicas |
description |
Sibila: Woman, Music and Tradition it is a management and production project that seeks to recognize, value and make visible the contribution of women instrumentalists to the field of popular and traditional music in Colombia by carrying on a festival as a stage platform, allowing them to have a more comprehensive participation in the different dimensions of the musical field, being aware of the importance of their contribution to culture and empowering themselves with their own expressions and creations, and, in the case of the festival, showing them to the public through scenarios favorable to it. Moreover, the festival has also established an academic strip: the conference-panel Women, Music and Tradition, which contributes to the transformation of collective thinking about the role of women in the social and cultural context, seeking also to change mentalities, stimulate reflections on professional development, sustainability, business creation, family influence, dependence on a cultural system that has been marked by different powers and whose access possibilities do not create equality, and a whole issue of inequality and lack of construction of spaces that strengthen the presence of women in the Colombian musical system. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-23 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.es-ES.fl_str_mv |
Reflexiones sobre las artes escénicas |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1253 |
url |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1253 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1253/971 |
dc.rights.es-ES.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.es-ES.fl_str_mv |
Universidad Antonio Nariño |
dc.source.en-US.fl_str_mv |
The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 17 - 25 |
dc.source.es-ES.fl_str_mv |
BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 17 - 25 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300298278076416 |