El Aguinaldo Campesino como manifestación festiva, popular y tradicional en el municipio de Tuta Boyacá: estudio creativo en la cátedra de danzas andinas 2019-ll

This degree work called El Aguinaldo Campesino as a manifestation festive, popular and traditional in the municipality of Tuta, Boyacá: the Systematization of the process from the Chair of Andean Dances 2019-II and the EAPEAT to the final assembly, it is carried out as part of the requirements for the culmination of my training process as a master artist of the Bachelor of Art Education with Emphasis in Dance and Theater; their developments, contributions, scope, questions and projections contribute to the strengthening of the Didactic Arts Research Group Scenic, and is part of the line that bears the same name. In particular, it It is part of the studies of the Tradition and Artistic Production sub-line. As such, the systematization of the EAPEAT in the second half of 2019, which supports significantly in terms of recovering, reflecting and systematizes the process lived during the exit to this place, one of the elements that make up the non-material culture, are its traditions, celebrations and festivals. Memories that beyond the space of pastime, rest, play and rejoicing, are some of the main manifestations of culture, it is defined as a set of experiences that are forgotten from generation to generation. For other On the other hand, customs are those social practices rooted in a community, linked to everyday life, with habits that from being repeated so much have become part of the local identity (Abadía, 1983; Romero, 2021) According to (Fernández, 2007), popular festivals, an important segment of the tradition of a people or territory, enclose an indivisible whole that starts from things what people “believe (field planting practices, family traditions), do (dance, music), he knows (illnesses, food), even the ones he counts 12 (.personal experiences, riddles and rhymes)” However, the work of these and other own cultural agents and alien to the municipality of Tuta, many of these manifestations and traditions continue in constant risk of disappearance, because the culture that is being implemented leads to human being to move away from it; but the effort of some agents to have long live this tradition (Aguinaldo peasant). Yes, it is true that many of the traditions have been disappearing due to to the new cycle of globalization and modernity that we are facing, in the face of the cultural homogeneity. According to (Pérez, 2021a), the relationship between the social and the cultural through the understanding of the fact that the festival lives on and cannot be the object of censorship for its realization. In order to preserve the patrimonial, the forms of manifestation of the festive, taking advantage of socialization through the virtual, but without modify dates, objects and places of celebration. Finally, what was stated by (Jara, 2012) in his book "The Systematization of Practical experiences and theory for other possible worlds”, the systematization of experiences is a technique that allows to produce knowledge, analyze and reflect about the particularities of a practice

• Autores: Alba Bolívar, Carlos Iván
• Tipo de recurso: Trabajo de grado de pregrado
• Fecha de publicación: 2022
• Institución: Universidad Antonio Nariño
• Repositorio: Repositorio UAN
• Idioma: spa
• OAI Identifier: oai:repositorio.uan.edu.co:123456789/7141
• Acceso en línea: http://repositorio.uan.edu.co/handle/123456789/7141
• Palabra clave: Sistematización de EAPEAT; Danzas Andinas; Aguinaldo campesino; Tuta-Boyacá; EAPEAT systematization; Andean Dances; Aguinaldo campesino; Tuta-Boyacá
• Rights: openAccess
• License: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)