Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation.
The development of didactics linked to acts of creation and the work of sensitive exploration in the body and thought from the collective seeks to enhance the creative processes of the members of the Backú Artistic Collective, to generate a montage of research-creation that speaks of the ruana as a...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2021
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/11331
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/vozavos/article/view/1252
https://repositorio.uan.edu.co/handle/123456789/11331
- Palabra clave:
- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2021-12-232024-10-10T10:04:47Z2024-10-10T10:04:47Zhttps://revistas.uan.edu.co/index.php/vozavos/article/view/1252https://repositorio.uan.edu.co/handle/123456789/11331The development of didactics linked to acts of creation and the work of sensitive exploration in the body and thought from the collective seeks to enhance the creative processes of the members of the Backú Artistic Collective, to generate a montage of research-creation that speaks of the ruana as a symbol of the prevalence of the Cundiboyacense peasant. Starting from creation laboratories that put into practice the method of collective creation proposed by Enrique Buenaventura and Santiago García. El desarrollo de didácticas vinculadas a los actos de creación y el trabajo de exploración sensible en el cuerpo y el pensamiento desde lo colectivo, busca potenciar los procesos creativos de los integrantes del Colectivo Artístico Backú, para generar un montaje de investigación – creación que hable de la ruana como un símbolo de prevalencia del campesino cundiboyacense. A partir de laboratorios de creación que pongan en práctica el método de la creación colectiva propuesto por Enrique Buenaventura y Santiago García.application/pdfspaUniversidad Antonio Nariñohttps://revistas.uan.edu.co/index.php/vozavos/article/view/1252/970https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 5 - 16BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 5 - 16Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation.Hilando la historia se teje la ruana: narrativas de identidad sociocultural del campesino boyacense, una experiencia para la construcción de didácticas de la investigación – creación.info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionReflexiones sobre las artes escénicashttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Monroy Méndez, Luis DanielForigua Salaman, Lady Yohana123456789/11331oai:repositorio.uan.edu.co:123456789/113312024-10-14 03:49:34.592metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
dc.title.es-ES.fl_str_mv |
Hilando la historia se teje la ruana: narrativas de identidad sociocultural del campesino boyacense, una experiencia para la construcción de didácticas de la investigación – creación. |
title |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
spellingShingle |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
title_short |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
title_full |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
title_fullStr |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
title_full_unstemmed |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
title_sort |
Threading history weaves the ruana: sociocultural identity narratives of the Boyacá peasant, an experience for the construction of didactics of research-creation. |
description |
The development of didactics linked to acts of creation and the work of sensitive exploration in the body and thought from the collective seeks to enhance the creative processes of the members of the Backú Artistic Collective, to generate a montage of research-creation that speaks of the ruana as a symbol of the prevalence of the Cundiboyacense peasant. Starting from creation laboratories that put into practice the method of collective creation proposed by Enrique Buenaventura and Santiago García. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T10:04:47Z |
dc.date.available.none.fl_str_mv |
2024-10-10T10:04:47Z |
dc.date.none.fl_str_mv |
2021-12-23 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
dc.type.es-ES.fl_str_mv |
Reflexiones sobre las artes escénicas |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1252 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/11331 |
url |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1252 https://repositorio.uan.edu.co/handle/123456789/11331 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/vozavos/article/view/1252/970 |
dc.rights.es-ES.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.es-ES.fl_str_mv |
Universidad Antonio Nariño |
dc.source.en-US.fl_str_mv |
The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 5 - 16 |
dc.source.es-ES.fl_str_mv |
BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 5 - 16 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1814300452773167104 |