Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda

The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally,...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2009
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10751
Acceso en línea:
https://revistas.uan.edu.co/index.php/papeles/article/view/244
https://repositorio.uan.edu.co/handle/123456789/10751
Palabra clave:
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
Neruda's poetical movement
compromised art
modern poetry
the daily things
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License
https://creativecommons.org/licenses/by-nc-sa/4.0
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spelling 2009-12-192024-10-10T02:33:59Z2024-10-10T02:33:59Zhttps://revistas.uan.edu.co/index.php/papeles/article/view/244https://repositorio.uan.edu.co/handle/123456789/10751The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally, this paper proposes an analysis on the difference between the modern European poetry and Neruda’s poetical proposal in Latin America.El presente artículo se pregunta por el dilema de la segunda mitad del siglo XX para el escritor latinoamericano, y para ello retoma a un escritor emblemático, Pablo Neruda. En particular, aborda la cuestión del arte comprometido, una categoría simbólica para el análisis de la obra de Neruda. Finalmente, propone un análisis sobre la diferencia entre la poesía moderna europea y la propuesta poética de Neruda en América Latina.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/papeles/article/view/244/199https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2Papeles; Vol. 1 No. 2 (2009); 14-19Papeles; Vol. 1 Núm. 2 (2009); 14-19Papeles; v. 1 n. 2 (2009); 14-192346-09110123-0670movimiento poético de Nerudaarte comprometidopoesía modernalo cotidianoNeruda's poetical movementcompromised artmodern poetrythe daily thingsDesde lo ascendente a lo cotidiano: una lectura de Pablo Nerudainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Barreto González, Juan José123456789/10751oai:repositorio.uan.edu.co:123456789/107512024-10-14 03:47:19.854metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.es-ES.fl_str_mv Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
spellingShingle Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
Neruda's poetical movement
compromised art
modern poetry
the daily things
title_short Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_full Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_fullStr Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_full_unstemmed Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
title_sort Desde lo ascendente a lo cotidiano: una lectura de Pablo Neruda
dc.subject.es-ES.fl_str_mv movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
topic movimiento poético de Neruda
arte comprometido
poesía moderna
lo cotidiano
Neruda's poetical movement
compromised art
modern poetry
the daily things
dc.subject.en-US.fl_str_mv Neruda's poetical movement
compromised art
modern poetry
the daily things
description The present article wonders for the dilemma of the second half of the 20th century for the Latin-American writer, and for it, recaptures an emblematic writer, Pablo Neruda. Especially, it approaches the question of the compromised art, a symbolic category for the analysis of Neruda’s work. Finally, this paper proposes an analysis on the difference between the modern European poetry and Neruda’s poetical proposal in Latin America.
publishDate 2009
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:33:59Z
dc.date.available.none.fl_str_mv 2024-10-10T02:33:59Z
dc.date.none.fl_str_mv 2009-12-19
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
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format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/papeles/article/view/244
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10751
url https://revistas.uan.edu.co/index.php/papeles/article/view/244
https://repositorio.uan.edu.co/handle/123456789/10751
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/papeles/article/view/244/199
dc.rights.en-US.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.en-US.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.en-US.fl_str_mv Papeles; Vol. 1 No. 2 (2009); 14-19
dc.source.es-ES.fl_str_mv Papeles; Vol. 1 Núm. 2 (2009); 14-19
dc.source.pt-BR.fl_str_mv Papeles; v. 1 n. 2 (2009); 14-19
dc.source.none.fl_str_mv 2346-0911
0123-0670
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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