Emma Dietrich Holland. What is Called Theatre Nowadays?
La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2017
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/10878
- Acceso en línea:
- https://revistas.uan.edu.co/index.php/papeles/article/view/497
https://repositorio.uan.edu.co/handle/123456789/10878
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- Rights
- License
- https://creativecommons.org/licenses/by-nc-sa/4.0
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2017-04-122024-10-10T02:35:04Z2024-10-10T02:35:04Zhttps://revistas.uan.edu.co/index.php/papeles/article/view/497https://repositorio.uan.edu.co/handle/123456789/10878La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays?application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/papeles/article/view/497/426https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2Papeles; Vol. 9 No. 18 (2017); 105-107Papeles; Vol. 9 Núm. 18 (2017); 105-107Papeles; v. 9 n. 18 (2017); 105-1072346-09110123-067010.54104/papeles.v9n18Emma Dietrich Holland. What is Called Theatre Nowadays?info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Betancur Madrid, Julieta123456789/10878oai:repositorio.uan.edu.co:123456789/108782024-10-14 03:48:21.219metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.es-ES.fl_str_mv |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
spellingShingle |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_short |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_full |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_fullStr |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_full_unstemmed |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
title_sort |
Emma Dietrich Holland. What is Called Theatre Nowadays? |
description |
La BBC en 1986 le realizó una breve entrevista al entonces estudiante de Cambridge David Dewey (estudiante primero y luego colega de Dario Fo) quien profirió el siguiente comentario respecto del teatro: “There’s no point today in talking about poetry and theatre as living literature genres. With the rise and down of postmodernism those two genres can’t mean, or do, what they used to”. Es precisamente con esta acotación que la profesora Dietrich Holland introduce al lector en su más reciente libro: What is Called Theatre Nowadays? |
publishDate |
2017 |
dc.date.accessioned.none.fl_str_mv |
2024-10-10T02:35:04Z |
dc.date.available.none.fl_str_mv |
2024-10-10T02:35:04Z |
dc.date.none.fl_str_mv |
2017-04-12 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/papeles/article/view/497 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uan.edu.co/handle/123456789/10878 |
url |
https://revistas.uan.edu.co/index.php/papeles/article/view/497 https://repositorio.uan.edu.co/handle/123456789/10878 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uan.edu.co/index.php/papeles/article/view/497/426 |
dc.rights.en-US.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
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https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.en-US.fl_str_mv |
UNIVERSIDAD ANTONIO NARIÑO |
dc.source.en-US.fl_str_mv |
Papeles; Vol. 9 No. 18 (2017); 105-107 |
dc.source.es-ES.fl_str_mv |
Papeles; Vol. 9 Núm. 18 (2017); 105-107 |
dc.source.pt-BR.fl_str_mv |
Papeles; v. 9 n. 18 (2017); 105-107 |
dc.source.none.fl_str_mv |
2346-0911 0123-0670 10.54104/papeles.v9n18 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
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alertas.repositorio@uan.edu.co |
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1814300310540124160 |