Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona

This text elaborates and brings up-to-date ideas on the processes of place-making and recreation in architecture (Rueda, 2009), with a study on the Casa de Huéspedes Ilustres in Cartagena de Indias (1980-1982) by architect Rogelio Salmona (1927- 2007). One initial premise is place-making, a re-creat...

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Autores:
Rueda, Carlos
Tipo de recurso:
Article of investigation
Fecha de publicación:
2021
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5683
Acceso en línea:
http://revistas.uan.edu.co/index.php/nodo/article/view/788
http://repositorio.uan.edu.co/handle/123456789/5683
Palabra clave:
Architecture
Place
Recreation
Poetics
Phenomenology
Historicity
Arquitectura
Lugar
Re-creación
Poética
Fenomenología
Historicidad
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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oai_identifier_str oai:repositorio.uan.edu.co:123456789/5683
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Rueda, Carlos2021-11-10T01:00:45Z2021-11-10T01:00:45Z2021-04-11http://revistas.uan.edu.co/index.php/nodo/article/view/788http://repositorio.uan.edu.co/handle/123456789/5683This text elaborates and brings up-to-date ideas on the processes of place-making and recreation in architecture (Rueda, 2009), with a study on the Casa de Huéspedes Ilustres in Cartagena de Indias (1980-1982) by architect Rogelio Salmona (1927- 2007). One initial premise is place-making, a re-creative process that entails the transformation of an existing site, which holds itself to a potential for poetic interpretation that, works to elevate the architect to the dimension of a dwelling construct of historicity. Historicity is understood here as the immanence of the past, of time and history in the making of our present and the imagination of our future. It is stressed here that historicity paradoxically attempts for an ahistorical expression of eternity in time. The concept of place, which exceeds in its complexity, and includes that of site, unfolds into larger totalities to configure our “place-world.” Place and world in the phenomenological tradition are synonymous (Merlau-Ponty, 2004, p. 196, xi, pp. 405-407; Malpas, 1999, p. 196; Rueda, 2015, pp. 19-46). Place-making is understood therefore as poetic recreation: union, condensation or transfiguration of –material, experiencial, and memorable– architectural images coming from other places in the configuration of a world or totality of experience.Este escrito re-elabora y actualiza ideas relativas a los procesos de re-creación poética de lugar en la arquitectura (Rueda 2009) con un estudio de la Casa de Huéspedes Ilustres en Cartagena de Indias (1980-1982) del arquitecto colombiano Rogelio Salmona (1927-2007). Una premisa inicial es: hacer lugar resulta un proceso re-creativo, si se tiene en cuenta que implica la transformación de un sitio existente, el cual tiene un potencial de interpretación poética que, con la obra, el arquitecto eleva a la dimensión de un constructo habitable de historicidad. Se entiende por historicidad, la inmanencia del pasado, del tiempo y la historia en la construcción del presente y la imaginación del futuro. Se enfatiza que con la historicidad se busca en forma paradójica una expresión a-histórica o de eternidad en el tiempo. El concepto de lugar, inclusivo y más complejo que el de sitio, se despliega en totalidades mayores y que constituyen en conjunto, un “mundolugar”. “Lugar” y “mundo” son sinónimos en la tradición fenomenológica (Merlau-Ponty, 2004, p. 196, xi, pp. 405-407; Malpas, 1999, p. 196; Rueda, 2015, pp. 19-46). Hacer lugar se entiende entonces como re-creación poética: unión, condensación o transfiguración de imágenes arquitectónicas –materiales, experienciales, memorables– provenientes de otros lugares para configurar un mundo o totalidad de experiencia.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/788/6512346-092X1909-3888REVISTA NODO; Vol. 11 Núm. 21 (2016); 8 - 20ArchitecturePlaceRecreationPoeticsPhenomenologyHistoricityArquitecturaLugarRe-creaciónPoéticaFenomenologíaHistoricidadRe-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio SalmonaRe-creación e historicidad en el cedazo de la modernidad: la Casa de Huéspedes Ilustres de Rogelio SalmonaArtículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5683oai:repositorio.uan.edu.co:123456789/56832024-10-09 22:51:10.412https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
dc.title.es-ES.fl_str_mv Re-creación e historicidad en el cedazo de la modernidad: la Casa de Huéspedes Ilustres de Rogelio Salmona
title Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
spellingShingle Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
Architecture
Place
Recreation
Poetics
Phenomenology
Historicity
Arquitectura
Lugar
Re-creación
Poética
Fenomenología
Historicidad
title_short Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
title_full Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
title_fullStr Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
title_full_unstemmed Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
title_sort Re-creation and historicity through the modernist sieve: Casa de Huespedes Ilustres by Rogelio Salmona
dc.creator.fl_str_mv Rueda, Carlos
dc.contributor.author.spa.fl_str_mv Rueda, Carlos
dc.subject.en-US.fl_str_mv Architecture
Place
Recreation
Poetics
Phenomenology
Historicity
topic Architecture
Place
Recreation
Poetics
Phenomenology
Historicity
Arquitectura
Lugar
Re-creación
Poética
Fenomenología
Historicidad
dc.subject.es-ES.fl_str_mv Arquitectura
Lugar
Re-creación
Poética
Fenomenología
Historicidad
description This text elaborates and brings up-to-date ideas on the processes of place-making and recreation in architecture (Rueda, 2009), with a study on the Casa de Huéspedes Ilustres in Cartagena de Indias (1980-1982) by architect Rogelio Salmona (1927- 2007). One initial premise is place-making, a re-creative process that entails the transformation of an existing site, which holds itself to a potential for poetic interpretation that, works to elevate the architect to the dimension of a dwelling construct of historicity. Historicity is understood here as the immanence of the past, of time and history in the making of our present and the imagination of our future. It is stressed here that historicity paradoxically attempts for an ahistorical expression of eternity in time. The concept of place, which exceeds in its complexity, and includes that of site, unfolds into larger totalities to configure our “place-world.” Place and world in the phenomenological tradition are synonymous (Merlau-Ponty, 2004, p. 196, xi, pp. 405-407; Malpas, 1999, p. 196; Rueda, 2015, pp. 19-46). Place-making is understood therefore as poetic recreation: union, condensation or transfiguration of –material, experiencial, and memorable– architectural images coming from other places in the configuration of a world or totality of experience.
publishDate 2021
dc.date.accessioned.none.fl_str_mv 2021-11-10T01:00:45Z
dc.date.available.none.fl_str_mv 2021-11-10T01:00:45Z
dc.date.issued.spa.fl_str_mv 2021-04-11
dc.type.spa.fl_str_mv Artículo revisado por pares
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/788
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5683
url http://revistas.uan.edu.co/index.php/nodo/article/view/788
http://repositorio.uan.edu.co/handle/123456789/5683
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/788/651
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-092X
1909-3888
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 11 Núm. 21 (2016); 8 - 20
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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