Art and science: two roads leading to the same reality

The article analyzes the role of art as a knowledge generator, a possibility often denied by scientists. From the point of view of semiotics and pedagogy (Schwarcz), the sociology of art (Hauser) and philosophy (Gadamer), the authors argue that art is a unique pathway to knowledge transcending the l...

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Autores:
Tipo de recurso:
Article of journal
Fecha de publicación:
2011
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/10530
Acceso en línea:
https://revistas.uan.edu.co/index.php/nodo/article/view/58
https://repositorio.uan.edu.co/handle/123456789/10530
Palabra clave:
Sociología del arte
icono
lenguaje
representación
arte y ciencia
Sociology of art
icon
language
representation
art and science
Rights
License
https://creativecommons.org/licenses/by-nc-sa/4.0
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network_name_str Repositorio UAN
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spelling 2011-12-142024-10-10T02:28:53Z2024-10-10T02:28:53Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/58https://repositorio.uan.edu.co/handle/123456789/10530The article analyzes the role of art as a knowledge generator, a possibility often denied by scientists. From the point of view of semiotics and pedagogy (Schwarcz), the sociology of art (Hauser) and philosophy (Gadamer), the authors argue that art is a unique pathway to knowledge transcending the limits of science; that it is a deposit of living experiences; that it is a product of the particular historic, economic and cultural contexts; and that it currently plays a critical social role, all of which indicate how deeply it is connected to the reality giving birth to it. They also pinpoint that both art and science turn to language for their operative and communicational procedures, a strategy that is in itself a form of art composed by signs representing the absent, signs with the ability to bring the past and the future to the present. As a conclusion, the authors state that art is solidly melted into reality, which, as a totalizing phenomena linked to the social and human milieu represents society and culture in all their various manifestations.El artículo analiza el papel del arte como generador de conocimiento, algo que desde la ciencia, por lo general, se ha rechazado. Los autores cosechan argumentos surgidos desde la semiología y la pedagogía (Schwarcz), la sociología del arte (Hauser) y la filosofía (Gadamer) para evidenciar que el arte es un camino de conocimiento único, que trasciende los límites que circundan a la ciencia; que es un sedimento de la experiencia y la vivencia; que surge de contextos culturales, económicos, históricos y sociales; y que desempeña actualmente un importante rol social, y por tanto, está estrechamente relacionado con la realidad, de la cual surge. Señalan que tanto la ciencia como el arte recurren para sus procedimientos operativos y comunicacionales al lenguaje, que no es otra cosa que una forma de arte, compuesta por signos que representan lo ausente, y que tienen la capacidad de traer al presente, tanto el pasado como el futuro. Se concluye que el arte está sólidamente implantado en la realidad, por lo que como fenómeno totalizador, ligado a la realidad humana y social, capta y representa a la sociedad y a la cultura en sus múltiples manifestaciones.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/58/45https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 6 Núm. 11 (2011); 39 - 542346-092X1909-3888Sociología del arteiconolenguajerepresentaciónarte y cienciaSociology of articonlanguagerepresentationart and scienceArt and science: two roads leading to the same realityArte y ciencia: dos senderos que convergen en una misma realidadinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Bonilla-Estevez, HéctorMolina, Luis123456789/10530oai:repositorio.uan.edu.co:123456789/105302024-10-14 03:46:56.064metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Art and science: two roads leading to the same reality
dc.title.es-ES.fl_str_mv Arte y ciencia: dos senderos que convergen en una misma realidad
title Art and science: two roads leading to the same reality
spellingShingle Art and science: two roads leading to the same reality
Sociología del arte
icono
lenguaje
representación
arte y ciencia
Sociology of art
icon
language
representation
art and science
title_short Art and science: two roads leading to the same reality
title_full Art and science: two roads leading to the same reality
title_fullStr Art and science: two roads leading to the same reality
title_full_unstemmed Art and science: two roads leading to the same reality
title_sort Art and science: two roads leading to the same reality
dc.subject.es-ES.fl_str_mv Sociología del arte
icono
lenguaje
representación
arte y ciencia
topic Sociología del arte
icono
lenguaje
representación
arte y ciencia
Sociology of art
icon
language
representation
art and science
dc.subject.en-US.fl_str_mv Sociology of art
icon
language
representation
art and science
description The article analyzes the role of art as a knowledge generator, a possibility often denied by scientists. From the point of view of semiotics and pedagogy (Schwarcz), the sociology of art (Hauser) and philosophy (Gadamer), the authors argue that art is a unique pathway to knowledge transcending the limits of science; that it is a deposit of living experiences; that it is a product of the particular historic, economic and cultural contexts; and that it currently plays a critical social role, all of which indicate how deeply it is connected to the reality giving birth to it. They also pinpoint that both art and science turn to language for their operative and communicational procedures, a strategy that is in itself a form of art composed by signs representing the absent, signs with the ability to bring the past and the future to the present. As a conclusion, the authors state that art is solidly melted into reality, which, as a totalizing phenomena linked to the social and human milieu represents society and culture in all their various manifestations.
publishDate 2011
dc.date.accessioned.none.fl_str_mv 2024-10-10T02:28:53Z
dc.date.available.none.fl_str_mv 2024-10-10T02:28:53Z
dc.date.none.fl_str_mv 2011-12-14
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Artículo revisado por pares
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
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format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/58
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/10530
url https://revistas.uan.edu.co/index.php/nodo/article/view/58
https://repositorio.uan.edu.co/handle/123456789/10530
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/nodo/article/view/58/45
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 6 Núm. 11 (2011); 39 - 54
dc.source.none.fl_str_mv 2346-092X
1909-3888
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
_version_ 1814300376203001856