Creative professor: In search of the new theatrical dramaturgy.

  Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theat...

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Tipo de recurso:
Article of journal
Fecha de publicación:
2021
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/11334
Acceso en línea:
https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
https://repositorio.uan.edu.co/handle/123456789/11334
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https://creativecommons.org/licenses/by-nc-sa/4.0
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spelling 2021-12-232024-10-10T10:04:49Z2024-10-10T10:04:49Zhttps://revistas.uan.edu.co/index.php/vozavos/article/view/1255https://repositorio.uan.edu.co/handle/123456789/11334  Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined.Desde el siglo pasado los reformadores teatrales se han preguntado cómo podían reforzar la experiencia teatral. Qué elementos eran imprescindibles para el acto teatral. Copeau estableció que el actor era el centro del trabajo teatral, pero a su vez siempre ansió para su teatro la aparición de un nuevo dramaturgo que puedira encumbrar el trabajo que realizó con los actores. Lo que no supo ver fue que ese dramaturgo que sintió que nunca apareció estaba mucho más cerca de él, de lo que jamás pudo imaginarse.    application/pdfspaUniversidad Antonio Nariñohttps://revistas.uan.edu.co/index.php/vozavos/article/view/1255/972https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 34 - 46BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 34 - 46Creative professor: In search of the new theatrical dramaturgy.Maestro creador: En búsqueda de la nueva dramaturgia teatral.info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionReflexiones sobre las artes escénicashttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85GINEBROZA CONDE., DANIEL123456789/11334oai:repositorio.uan.edu.co:123456789/113342024-10-14 03:49:18.289metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Creative professor: In search of the new theatrical dramaturgy.
dc.title.es-ES.fl_str_mv Maestro creador: En búsqueda de la nueva dramaturgia teatral.
title Creative professor: In search of the new theatrical dramaturgy.
spellingShingle Creative professor: In search of the new theatrical dramaturgy.
title_short Creative professor: In search of the new theatrical dramaturgy.
title_full Creative professor: In search of the new theatrical dramaturgy.
title_fullStr Creative professor: In search of the new theatrical dramaturgy.
title_full_unstemmed Creative professor: In search of the new theatrical dramaturgy.
title_sort Creative professor: In search of the new theatrical dramaturgy.
description   Since the last century, theatrical reformers have wondered how they could reinforce the theatrical experience. What elements were essential for the theatrical act. Copeau established that the actor was the center of the theatrical work, but at the same time, he always longed for his theatre the appearance of a new playwright who could elevate the work that he carried out with the actors. What he failed to see was that this playwright who felt he had never appeared was much closer to him than he could ever have imagined.
publishDate 2021
dc.date.accessioned.none.fl_str_mv 2024-10-10T10:04:49Z
dc.date.available.none.fl_str_mv 2024-10-10T10:04:49Z
dc.date.none.fl_str_mv 2021-12-23
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv Reflexiones sobre las artes escénicas
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
dc.identifier.uri.none.fl_str_mv https://repositorio.uan.edu.co/handle/123456789/11334
url https://revistas.uan.edu.co/index.php/vozavos/article/view/1255
https://repositorio.uan.edu.co/handle/123456789/11334
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.uan.edu.co/index.php/vozavos/article/view/1255/972
dc.rights.es-ES.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
dc.publisher.es-ES.fl_str_mv Universidad Antonio Nariño
dc.source.en-US.fl_str_mv The Voz a Vos Bulletin ; Vol. 6 No. 12 (2021): 8th Scenic Meeting: Master artist and context; 34 - 46
dc.source.es-ES.fl_str_mv BOLETÍN VOZ A VOS; Vol. 6 Núm. 12 (2021): 8vo Encuentro escénico: Maestro artista y contexto; 34 - 46
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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