La Violence in Colombia: an artistic perspective

The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Hi...

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Autores:
Silva-Cañaveral, Sandra Johana
Tipo de recurso:
Article of investigation
Fecha de publicación:
2012
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5556
Acceso en línea:
http://revistas.uan.edu.co/index.php/nodo/article/view/75
http://repositorio.uan.edu.co/handle/123456789/5556
Palabra clave:
Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
id UAntonioN2_1ee8073a56d6b094ccff15430e7eaad3
oai_identifier_str oai:repositorio.uan.edu.co:123456789/5556
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Silva-Cañaveral, Sandra Johana2021-11-10T01:00:03Z2021-11-10T01:00:03Z2012-12-14http://revistas.uan.edu.co/index.php/nodo/article/view/75http://repositorio.uan.edu.co/handle/123456789/5556The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.El artículo, producto de una investigación-creación, aborda la relación entre arte y violencia en Colombia. Se realiza una sucinta caracterización de tres períodos de la violencia delimitados por reconocidos historiadores; y se analiza el caso de la masacre de Trujillo, con base en los resultados obtenidos por el grupo de Memoria Histórica de la Comisión Nacional de Reparación y Reconciliación. Se expone un breviario de las obras más destacadas del arte colombiano que hacen referencia a la violencia, y se reflexiona en torno a la postura que el artista debe adoptar al abordar ese tema. Se presentan algunas de las obras artísticas que han surgido a partir de la masacre de Trujillo, así como de los ríos colombianos, por ser lugares en los que convergen la tragedia que surge de la violencia y la experiencia del duelo sin solución. Finalmente, se presenta la obra que surgió del proceso de investigación: Río, que articula el paisaje y el contramonumento como categorías para la exploración creativa.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/75/582346-092X1909-3888REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 56Art and violencehistory and memoryunmonumental artArte y violenciahistoria y memoriacontramonumentoLa Violence in Colombia: an artistic perspectiveLa violencia en Colombia: una perspectiva desde el arteArtículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5556oai:repositorio.uan.edu.co:123456789/55562024-10-09 23:20:44.589https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv La Violence in Colombia: an artistic perspective
dc.title.es-ES.fl_str_mv La violencia en Colombia: una perspectiva desde el arte
title La Violence in Colombia: an artistic perspective
spellingShingle La Violence in Colombia: an artistic perspective
Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
title_short La Violence in Colombia: an artistic perspective
title_full La Violence in Colombia: an artistic perspective
title_fullStr La Violence in Colombia: an artistic perspective
title_full_unstemmed La Violence in Colombia: an artistic perspective
title_sort La Violence in Colombia: an artistic perspective
dc.creator.fl_str_mv Silva-Cañaveral, Sandra Johana
dc.contributor.author.spa.fl_str_mv Silva-Cañaveral, Sandra Johana
dc.subject.en-US.fl_str_mv Art and violence
history and memory
unmonumental art
topic Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
dc.subject.es-ES.fl_str_mv Arte y violencia
historia y memoria
contramonumento
description The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.
publishDate 2012
dc.date.issued.spa.fl_str_mv 2012-12-14
dc.date.accessioned.none.fl_str_mv 2021-11-10T01:00:03Z
dc.date.available.none.fl_str_mv 2021-11-10T01:00:03Z
dc.type.spa.fl_str_mv Artículo revisado por pares
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/75
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5556
url http://revistas.uan.edu.co/index.php/nodo/article/view/75
http://repositorio.uan.edu.co/handle/123456789/5556
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/75/58
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-092X
1909-3888
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 7 Núm. 13 (2012); 43 - 56
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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