La Violence in Colombia: an artistic perspective

The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Hi...

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Autores:
Silva-Cañaveral, Sandra Johana
Tipo de recurso:
Article of investigation
Fecha de publicación:
2012
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5556
Acceso en línea:
http://revistas.uan.edu.co/index.php/nodo/article/view/75
http://repositorio.uan.edu.co/handle/123456789/5556
Palabra clave:
Art and violence
history and memory
unmonumental art
Arte y violencia
historia y memoria
contramonumento
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Description
Summary:The article is the product of a research/creation dealing with the relation between art and violence in Colombia. It begins by giving a brief description of three well-delimited violent periods according to outstanding historians, and by closely analyzing the Massacre of Trujillo as understood by Historical Memory, a group part of the National Reparation and Reconciliation Commission. Then, the author provides a breviary of the most prominent Colombian artworks in relation to violence, and proposes a meditation around the standpoint that artists should take towards this particular issue. Subsequently, it presents some art proposals originated by the Massacre of Trujillo, as well as artworks inspired on Colombian rivers for being places where tragedy and truncated mourning rituals converge. Finally, the article introduces Río, the product of the research process, an artwork articulating the landscape and the unmonumental as categories for creative exploration.