Graphemes, traces and signing within the unimage of the contemporary city

The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the...

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Autores:
Llamosa-Escovar, David Francisco
Tipo de recurso:
Article of investigation
Fecha de publicación:
2013
Institución:
Universidad Antonio Nariño
Repositorio:
Repositorio UAN
Idioma:
spa
OAI Identifier:
oai:repositorio.uan.edu.co:123456789/5563
Acceso en línea:
http://revistas.uan.edu.co/index.php/nodo/article/view/83
http://repositorio.uan.edu.co/handle/123456789/5563
Palabra clave:
Fractals
natural and social flows
performance
Fractal
flujos naturales y sociales
performance
Rights
openAccess
License
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
id UAntonioN2_13457d282cf6e9244868d103b82e765d
oai_identifier_str oai:repositorio.uan.edu.co:123456789/5563
network_acronym_str UAntonioN2
network_name_str Repositorio UAN
repository_id_str
spelling Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Llamosa-Escovar, David Francisco2021-11-10T01:00:04Z2021-11-10T01:00:04Z2013-06-14http://revistas.uan.edu.co/index.php/nodo/article/view/83http://repositorio.uan.edu.co/handle/123456789/5563The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the baroque, Art Nouveau, cubism, German expressionism, Frank Lloyd Wright’s organicism and Jackson Pollock’s action painting, among others. Fractal forms found in nature are the result of chaotic dynamics in which biosystems work; they are the visual aspect of underlying natural laws. That is how water currents, winds, movements in plant life, seismic activity, heat waves, animal migrations and social human anatomy’s rhizomatous movements function. It is possible to square matter with energy in motion, the same as we can speak of quantum urban environments. Associated traces and fields entail it. Acts performed in the city can be seen in its radiography. It is in the flux, in the particle and its path, in the complex and entangled writing of the metacity in which the no-image (the unimage) of contemporary landscape is based on.El artículo aborda una manera de interpretar la ciudad, haciendo énfasis en las trazas, los grafos y las rúbricas urbanas propias de la ciudad contemporánea. Dentro de la continuidad histórica que caracteriza a la vertiente orgánica, señala el autor, se ubica el dinamismo característico del arte medieval, del barroco, del art noveau, del cubismo, del expresionismo alemán, el organicismo de Frank Lloyd Wright, y el action painting de Jackson Pollock, entre otros. Las formas fractales que se perciben en la naturaleza son el resultado de la dinámica caótica dentro de la cual operan los bio-sistemas. Son el aspecto visible de leyes naturales subyacentes. Así funcionan los hidroflujos, los vientos, el movimiento de la flora, la sismicidad, los flujos calóricos, las migraciones animales, y los movimientos rizomáticos de la anatomía social humana. Se puede hacer corresponder materia con energía en movimiento, y se puede hablar de un ambiente cuántico a nivel de la ciudad. Las trazas y sus campos asociados lo hacen suponer. El performance de los actos urbanos puede ser “visto” en su radiografía. Es en el flujo, en la partícula y su trayectoria, en la compleja y enmarañada escritura de la meta-ciudad, como se fundamenta la noimagen (inimagen) del paisaje contemporáneo.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/83/652346-092X1909-3888REVISTA NODO; Vol. 7 Núm. 14 (2013); 35 - 48Fractalsnatural and social flowsperformanceFractalflujos naturales y socialesperformanceGraphemes, traces and signing within the unimage of the contemporary cityGrafías, trazas y rúbricas en la inimagen de la ciudad contemporáneaArtículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5563oai:repositorio.uan.edu.co:123456789/55632024-10-09 23:09:38.684https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv Graphemes, traces and signing within the unimage of the contemporary city
dc.title.es-ES.fl_str_mv Grafías, trazas y rúbricas en la inimagen de la ciudad contemporánea
title Graphemes, traces and signing within the unimage of the contemporary city
spellingShingle Graphemes, traces and signing within the unimage of the contemporary city
Fractals
natural and social flows
performance
Fractal
flujos naturales y sociales
performance
title_short Graphemes, traces and signing within the unimage of the contemporary city
title_full Graphemes, traces and signing within the unimage of the contemporary city
title_fullStr Graphemes, traces and signing within the unimage of the contemporary city
title_full_unstemmed Graphemes, traces and signing within the unimage of the contemporary city
title_sort Graphemes, traces and signing within the unimage of the contemporary city
dc.creator.fl_str_mv Llamosa-Escovar, David Francisco
dc.contributor.author.spa.fl_str_mv Llamosa-Escovar, David Francisco
dc.subject.en-US.fl_str_mv Fractals
natural and social flows
performance
topic Fractals
natural and social flows
performance
Fractal
flujos naturales y sociales
performance
dc.subject.es-ES.fl_str_mv Fractal
flujos naturales y sociales
performance
description The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the baroque, Art Nouveau, cubism, German expressionism, Frank Lloyd Wright’s organicism and Jackson Pollock’s action painting, among others. Fractal forms found in nature are the result of chaotic dynamics in which biosystems work; they are the visual aspect of underlying natural laws. That is how water currents, winds, movements in plant life, seismic activity, heat waves, animal migrations and social human anatomy’s rhizomatous movements function. It is possible to square matter with energy in motion, the same as we can speak of quantum urban environments. Associated traces and fields entail it. Acts performed in the city can be seen in its radiography. It is in the flux, in the particle and its path, in the complex and entangled writing of the metacity in which the no-image (the unimage) of contemporary landscape is based on.
publishDate 2013
dc.date.issued.spa.fl_str_mv 2013-06-14
dc.date.accessioned.none.fl_str_mv 2021-11-10T01:00:04Z
dc.date.available.none.fl_str_mv 2021-11-10T01:00:04Z
dc.type.spa.fl_str_mv Artículo revisado por pares
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/article
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
format http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/83
dc.identifier.uri.none.fl_str_mv http://repositorio.uan.edu.co/handle/123456789/5563
url http://revistas.uan.edu.co/index.php/nodo/article/view/83
http://repositorio.uan.edu.co/handle/123456789/5563
dc.language.iso.spa.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv http://revistas.uan.edu.co/index.php/nodo/article/view/83/65
dc.rights.none.fl_str_mv Acceso abierto
dc.rights.license.spa.fl_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Acceso abierto
https://creativecommons.org/licenses/by-nc-sa/4.0/
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Antonio Nariño
dc.source.none.fl_str_mv 2346-092X
1909-3888
dc.source.es-ES.fl_str_mv REVISTA NODO; Vol. 7 Núm. 14 (2013); 35 - 48
institution Universidad Antonio Nariño
repository.name.fl_str_mv Repositorio Institucional UAN
repository.mail.fl_str_mv alertas.repositorio@uan.edu.co
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