Bogota’s theaters as type and image of the city in 1970 and 2010
Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes...
- Autores:
-
Camacho-Lotero, Sergio
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2010
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5529
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/nodo/article/view/39
http://repositorio.uan.edu.co/handle/123456789/5529
- Palabra clave:
- Architectural types
Theaters Bogota
Cinemas 1970
Tipos en arquitectura
teatros de Bogotá
salas de cine 1970
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Camacho-Lotero, Sergio2021-11-10T00:59:58Z2021-11-10T00:59:58Z2010-12-14http://revistas.uan.edu.co/index.php/nodo/article/view/39http://repositorio.uan.edu.co/handle/123456789/5529Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes whether or not such cinemas could be considered as types, then it provides us with some reasons as to why public attendance shortened so suddenly, and finally it presents a complete account of the theaters functioning by the 1970s and theiractual condition as well. As a conclusion, it defines the percentage of those cinemas that currently preserve their façade and maintain their exterior appearance, those that have been recycled, their building-use changed, remodeled to reopen theirdoors as projection screens or other cultural purposes, and those that have been sadly demolished.Partiendo del concepto de tipo formulado por Aldo Rossi (1971), el artículo examina en qué medida este concepto puede ser aplicado a un corpus de fenómenos, tomando como objeto de estudio los teatros (salas de cine) de Bogotá, y cómo la evolución de la ciudad se refleja en dichas edificaciones. Se analiza si los teatros pueden ser considerados tipos o no; se exponen algunos motivos que redujeron la asistencia del público a las salas de cine; y se incluye un recuento de las salas que funcionaban en la década de 1970 y cuál es su estado actual. Como conclusión, se establece el porcentaje de salas (activas en la década de 1970) que actualmente mantienen su fachada y conservan su envolvente, las que han sido recicladas, las que cambiaron de uso, las que han sido remodeladas para reabrir sus puertas como salas de cine y otros eventos culturales, y las que han sido demolidas.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/39/312346-092X1909-3888REVISTA NODO; Vol. 5 Núm. 9 (2010); 41 - 58Architectural typesTheaters BogotaCinemas 1970Tipos en arquitecturateatros de Bogotásalas de cine 1970Bogota’s theaters as type and image of the city in 1970 and 2010Teatros de Bogotá como tipo e imagen de la ciudad en 1970 y en 2010Artículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5529oai:repositorio.uan.edu.co:123456789/55292024-10-09 23:16:10.999https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
dc.title.es-ES.fl_str_mv |
Teatros de Bogotá como tipo e imagen de la ciudad en 1970 y en 2010 |
title |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
spellingShingle |
Bogota’s theaters as type and image of the city in 1970 and 2010 Architectural types Theaters Bogota Cinemas 1970 Tipos en arquitectura teatros de Bogotá salas de cine 1970 |
title_short |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
title_full |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
title_fullStr |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
title_full_unstemmed |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
title_sort |
Bogota’s theaters as type and image of the city in 1970 and 2010 |
dc.creator.fl_str_mv |
Camacho-Lotero, Sergio |
dc.contributor.author.spa.fl_str_mv |
Camacho-Lotero, Sergio |
dc.subject.en-US.fl_str_mv |
Architectural types Theaters Bogota Cinemas 1970 |
topic |
Architectural types Theaters Bogota Cinemas 1970 Tipos en arquitectura teatros de Bogotá salas de cine 1970 |
dc.subject.es-ES.fl_str_mv |
Tipos en arquitectura teatros de Bogotá salas de cine 1970 |
description |
Beginning from the notion of type as proposed by Aldo Rossi in 1971 and taking Bogota’s theaters as field of study, the article examines how this concept can actually be applied tocertain body of phenomena inasmuch as how the evolution of the city is engraved in those constructions. It also analyzes whether or not such cinemas could be considered as types, then it provides us with some reasons as to why public attendance shortened so suddenly, and finally it presents a complete account of the theaters functioning by the 1970s and theiractual condition as well. As a conclusion, it defines the percentage of those cinemas that currently preserve their façade and maintain their exterior appearance, those that have been recycled, their building-use changed, remodeled to reopen theirdoors as projection screens or other cultural purposes, and those that have been sadly demolished. |
publishDate |
2010 |
dc.date.issued.spa.fl_str_mv |
2010-12-14 |
dc.date.accessioned.none.fl_str_mv |
2021-11-10T00:59:58Z |
dc.date.available.none.fl_str_mv |
2021-11-10T00:59:58Z |
dc.type.spa.fl_str_mv |
Artículo revisado por pares |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_2df8fbb1 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/nodo/article/view/39 |
dc.identifier.uri.none.fl_str_mv |
http://repositorio.uan.edu.co/handle/123456789/5529 |
url |
http://revistas.uan.edu.co/index.php/nodo/article/view/39 http://repositorio.uan.edu.co/handle/123456789/5529 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/nodo/article/view/39/31 |
dc.rights.none.fl_str_mv |
Acceso abierto |
dc.rights.license.spa.fl_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Acceso abierto https://creativecommons.org/licenses/by-nc-sa/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Antonio Nariño |
dc.source.none.fl_str_mv |
2346-092X 1909-3888 |
dc.source.es-ES.fl_str_mv |
REVISTA NODO; Vol. 5 Núm. 9 (2010); 41 - 58 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
_version_ |
1812928364029149184 |