Visual Culture

The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing...

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Tipo de recurso:: Article of journal

Fecha de publicación:: 2010

Institución:: Universidad Antonio Nariño

Repositorio:: Repositorio UAN

Idioma:: spa

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spelling	2010-12-142024-10-10T02:28:35Z2024-10-10T02:28:35Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/32https://repositorio.uan.edu.co/handle/123456789/10511The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing on its applicability for studying, evaluating and understanding images, while revealing that all visual culture responds to theparticular interests of a managing elite and it is aimed to a specific social group or human settlement. Then, based on three well-known periods of Colombian history (pre-Hispanic times, the Colony and the Independence), the author demonstrates this hypothesis.El artículo propone el concepto cultura visual como elemento que aporta a las investigaciones de carácter histórico una amplia gama de contenidos susceptibles de interpretación. En la introducción el autor analiza y sustenta el concepto propuesto, cultura visual, y sus alcances como instrumento al servicio de los investigadores; haciendo énfasis en su utilidad para estudiar, analizar e interpretar imágenes; al tiempo que demuestra que toda cultura visual responde a los intereses particulares de una élite dirigente, y está dirigida a un grupo social o asentamiento humano. A continuación y con base en tres períodos de la historia colombiana: la época prehispánica, la Colonia y la Independencia, el autor hace evidente la hipótesis planteada.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/32/25https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 4 Núm. 8 (2010); 5 - 302346-092X1909-3888Cultura visualgrupo élite dirigenteimágenesVisual culturegovernment elite groupimagesVisual CultureCultura visualinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Bermúdez Castillo, Jairo Alfredo123456789/10511oai:repositorio.uan.edu.co:123456789/105112024-10-14 03:49:59.452metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv	Visual Culture
dc.title.es-ES.fl_str_mv	Cultura visual
title	Visual Culture
spellingShingle	Visual Culture Cultura visual grupo élite dirigente imágenes Visual culture government elite group images
title_short	Visual Culture
title_full	Visual Culture
title_fullStr	Visual Culture
title_full_unstemmed	Visual Culture
title_sort	Visual Culture
dc.subject.es-ES.fl_str_mv	Cultura visual grupo élite dirigente imágenes
topic	Cultura visual grupo élite dirigente imágenes Visual culture government elite group images
dc.subject.en-US.fl_str_mv	Visual culture government elite group images
description	The article proposes the term “Visual Culture” as a concept that provides a wide range of contents prone for interpretation in historical researches. In the introduction, the author analyzes and justifies the concept itself, as well as its scope as a useful instrument for investigators, emphasizing on its applicability for studying, evaluating and understanding images, while revealing that all visual culture responds to theparticular interests of a managing elite and it is aimed to a specific social group or human settlement. Then, based on three well-known periods of Colombian history (pre-Hispanic times, the Colony and the Independence), the author demonstrates this hypothesis.
publishDate	2010
dc.date.accessioned.none.fl_str_mv	2024-10-10T02:28:35Z
dc.date.available.none.fl_str_mv	2024-10-10T02:28:35Z
dc.date.none.fl_str_mv	2010-12-14
dc.type.none.fl_str_mv	info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv	Artículo revisado por pares
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv	http://purl.org/coar/resource_type/c_6501
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status_str	publishedVersion
dc.identifier.none.fl_str_mv	https://revistas.uan.edu.co/index.php/nodo/article/view/32
dc.identifier.uri.none.fl_str_mv	https://repositorio.uan.edu.co/handle/123456789/10511
url	https://revistas.uan.edu.co/index.php/nodo/article/view/32 https://repositorio.uan.edu.co/handle/123456789/10511
dc.language.none.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.uan.edu.co/index.php/nodo/article/view/32/25
dc.rights.es-ES.fl_str_mv	https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv	application/pdf
dc.publisher.es-ES.fl_str_mv	UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv	REVISTA NODO; Vol. 4 Núm. 8 (2010); 5 - 30
dc.source.none.fl_str_mv	2346-092X 1909-3888
institution	Universidad Antonio Nariño
repository.name.fl_str_mv	Repositorio Institucional UAN
repository.mail.fl_str_mv	alertas.repositorio@uan.edu.co
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Visual Culture

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