Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico
This article is the result of the analysis of the tour and workshop held in the city of Cuernavaca, Morelos, Mexico, on March 10, 2020; For these activities, the sensitive mapping methodology was used as a basis. The tour was carried out with inhabitants of the city of Cuernavaca, women and men whos...
- Autores:
-
Silveyra-Rosales, Maria Teresa
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2021
- Institución:
- Universidad Antonio Nariño
- Repositorio:
- Repositorio UAN
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uan.edu.co:123456789/5694
- Acceso en línea:
- http://revistas.uan.edu.co/index.php/nodo/article/view/821
http://repositorio.uan.edu.co/handle/123456789/5694
- Palabra clave:
- Urban cartographies
Spatial appropriation
Public space
Urban area
Cartografías urbanas
Apropiación espacial
Espacio público
Zona urbana
- Rights
- openAccess
- License
- Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)Acceso abiertohttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Silveyra-Rosales, Maria Teresa2021-11-10T01:00:48Z2021-11-10T01:00:48Z2021-05-09http://revistas.uan.edu.co/index.php/nodo/article/view/82110.54104/nodo.v15n30.821http://repositorio.uan.edu.co/handle/123456789/5694This article is the result of the analysis of the tour and workshop held in the city of Cuernavaca, Morelos, Mexico, on March 10, 2020; For these activities, the sensitive mapping methodology was used as a basis. The tour was carried out with inhabitants of the city of Cuernavaca, women and men whose ages range between 19 and 25 years. From this journey that began at the Roundabout of the Moon, an important urban node, and ended at the La Tallera Museum, a public space where contemporary art is exhibited, it was sought to recognize what the inhabitants feel when touring the city; in this sense, the subject and the body were considered as feelings, as defined by the sociologist Alicia Lindón (2009). During the tour, the participants identified symbolic elements, spaces or objects that help the orientation and “readability” of the city, as developed by urban planner Kevin Lynch (1984). The result of this sensitive observation and listening was a collective mapping carried out by the participants, which will be analyzed in this article from two approaches: the sensitivity of the subjects in space, where the perception of security was identified as fundamental, and the reading of space as a guiding, formal and functional entity, where commercial spaces stand out as reference elements.El presente artículo es resultado del análisis de un recorrido urbano y un taller realizado en la ciudad de Cuernavaca, México, el 10 de marzo del 2020; para efectuar estas actividades se tomó como base la metodología de cartografías sensibles. El recorrido se llevó a cabo con habitantes de la ciudad de Cuernavaca, mujeres y hombres cuyas edades oscilan entre 19 y 25 años. A partir de este trayecto que inició en la Glorieta de la Luna, un nodo urbano importante, y terminó en el Museo de La Tallera, un espacio público donde se expone arte contemporáneo, se buscó reconocer qué es lo que sienten los habitantes al recorrer la ciudad; en este sentido se planteó al sujeto y al cuerpo como sentimiento, según lo definido por la socióloga Alicia Lindón (2009). Durante el recorrido los participantes identificaron elementos simbólicos, espacios u objetos que ayudan a la orientación y a la “legibilidad” de la ciudad, tal como lo enuncia el urbanista Kevin Lynch (1984). El resultado de esta observación y escucha sensibles fue una cartografía realizada por los participantes, que será analizada en este artículo a partir de dos enfoques: la sensibilidad de los sujetos en el espacio, en donde se identificó la percepción de seguridad como fundamental, y la lectura del espacio como ente orientador formal y funcional, donde resaltan los espacios comerciales como elementos de referencia.application/pdfspaUniversidad Antonio Nariñohttp://revistas.uan.edu.co/index.php/nodo/article/view/821/6662346-092X1909-388810.54104/nodo.v15n30REVISTA NODO; Vol. 15 Núm. 30 (2021); 33 - 44Urban cartographiesSpatial appropriationPublic spaceUrban areaCartografías urbanasApropiación espacialEspacio públicoZona urbanaImaginaries of the city from sensitive cartographies.: The case of Cuernavaca, MexicoImaginarios de la ciudad a partir de cartografías sensibles.: El caso de Cuernavaca, MéxicoArtículo revisado por paresinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85123456789/5694oai:repositorio.uan.edu.co:123456789/56942024-10-09 23:08:10.251https://creativecommons.org/licenses/by-nc-sa/4.0/Acceso abiertometadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co |
dc.title.en-US.fl_str_mv |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
dc.title.es-ES.fl_str_mv |
Imaginarios de la ciudad a partir de cartografías sensibles.: El caso de Cuernavaca, México |
title |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
spellingShingle |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico Urban cartographies Spatial appropriation Public space Urban area Cartografías urbanas Apropiación espacial Espacio público Zona urbana |
title_short |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
title_full |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
title_fullStr |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
title_full_unstemmed |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
title_sort |
Imaginaries of the city from sensitive cartographies.: The case of Cuernavaca, Mexico |
dc.creator.fl_str_mv |
Silveyra-Rosales, Maria Teresa |
dc.contributor.author.spa.fl_str_mv |
Silveyra-Rosales, Maria Teresa |
dc.subject.en-US.fl_str_mv |
Urban cartographies Spatial appropriation Public space Urban area |
topic |
Urban cartographies Spatial appropriation Public space Urban area Cartografías urbanas Apropiación espacial Espacio público Zona urbana |
dc.subject.es-ES.fl_str_mv |
Cartografías urbanas Apropiación espacial Espacio público Zona urbana |
description |
This article is the result of the analysis of the tour and workshop held in the city of Cuernavaca, Morelos, Mexico, on March 10, 2020; For these activities, the sensitive mapping methodology was used as a basis. The tour was carried out with inhabitants of the city of Cuernavaca, women and men whose ages range between 19 and 25 years. From this journey that began at the Roundabout of the Moon, an important urban node, and ended at the La Tallera Museum, a public space where contemporary art is exhibited, it was sought to recognize what the inhabitants feel when touring the city; in this sense, the subject and the body were considered as feelings, as defined by the sociologist Alicia Lindón (2009). During the tour, the participants identified symbolic elements, spaces or objects that help the orientation and “readability” of the city, as developed by urban planner Kevin Lynch (1984). The result of this sensitive observation and listening was a collective mapping carried out by the participants, which will be analyzed in this article from two approaches: the sensitivity of the subjects in space, where the perception of security was identified as fundamental, and the reading of space as a guiding, formal and functional entity, where commercial spaces stand out as reference elements. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2021-11-10T01:00:48Z |
dc.date.available.none.fl_str_mv |
2021-11-10T01:00:48Z |
dc.date.issued.spa.fl_str_mv |
2021-05-09 |
dc.type.spa.fl_str_mv |
Artículo revisado por pares |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.driver.spa.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
format |
http://purl.org/coar/resource_type/c_2df8fbb1 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/nodo/article/view/821 10.54104/nodo.v15n30.821 |
dc.identifier.uri.none.fl_str_mv |
http://repositorio.uan.edu.co/handle/123456789/5694 |
url |
http://revistas.uan.edu.co/index.php/nodo/article/view/821 http://repositorio.uan.edu.co/handle/123456789/5694 |
identifier_str_mv |
10.54104/nodo.v15n30.821 |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
http://revistas.uan.edu.co/index.php/nodo/article/view/821/666 |
dc.rights.none.fl_str_mv |
Acceso abierto |
dc.rights.license.spa.fl_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Acceso abierto https://creativecommons.org/licenses/by-nc-sa/4.0/ http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Antonio Nariño |
dc.source.none.fl_str_mv |
2346-092X 1909-3888 10.54104/nodo.v15n30 |
dc.source.es-ES.fl_str_mv |
REVISTA NODO; Vol. 15 Núm. 30 (2021); 33 - 44 |
institution |
Universidad Antonio Nariño |
repository.name.fl_str_mv |
Repositorio Institucional UAN |
repository.mail.fl_str_mv |
alertas.repositorio@uan.edu.co |
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1812928353531854848 |