Leer a Semprún, los límites entre la literatura en estado puro y la literatura ancilar: la supervivencia del escritor, el arte y su memoria
This reflection aims to present the results of the analysis of some discursive, literary and creative boundaries that come together in La escritura o la vida (1995) by Jorge Semprun; to this end, the contemplated literary-critical method here will concentrate on observing three thematic boundaries:...
- Autores:
-
Mejía Blanco, Óscar Humberto
- Tipo de recurso:
- Fecha de publicación:
- 2016
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/37545
- Acceso en línea:
- http://revistas.ustabuca.edu.co/index.php/TEMAS/article/view/1612
http://hdl.handle.net/11634/37545
- Palabra clave:
- Rights
- License
- Derechos de autor 2017 Revista Temas
| Summary: | This reflection aims to present the results of the analysis of some discursive, literary and creative boundaries that come together in La escritura o la vida (1995) by Jorge Semprun; to this end, the contemplated literary-critical method here will concentrate on observing three thematic boundaries: the first deals with establishing the ancillary literature present in this narrative, according to the statements made by the literary critic Alfonso Reyes in his work El deslinde (1944); the second explores the aesthetic and lessons of literary creation for writing conflicts present in this story, and finally, the third focuses on a brief examination of writing as a therapeutic exercise and resilient, from receipt of a distant Latin American reader. Thus, this argument is emerging as an analytical approach to the work of this Spanish writer. |
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