Memoria, prácticas artísticas y espacio público: posibilidades frente al conflicto armado colombiano
Beyond their aesthetic purposes, art and performance appear to be alternative forms of resistance, consciousness and visibility of political and social phenomena that attempt to generate and construct memory in favor of victims. In the context of public space, defined not only as a space for encount...
- Autores:
-
Jiménez Mojica, Santiago
- Tipo de recurso:
- Fecha de publicación:
- 2013
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39395
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/campos/article/view/2707
http://hdl.handle.net/11634/39395
- Palabra clave:
- memory
artistic and performance practices
public space
political struggles
hegemonic narrative
memoria
prácticas artísticas y performativas
espacio público
luchas políticas
relato hegemónico
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
Summary: | Beyond their aesthetic purposes, art and performance appear to be alternative forms of resistance, consciousness and visibility of political and social phenomena that attempt to generate and construct memory in favor of victims. In the context of public space, defined not only as a space for encounters but also as a scenario for political conflict and for the formation of public opinion that contradicts official opinions, it has constructed collective memory and it has reclaimed rights and demands traditionally subordinated, as the Colombian case demonstrates |
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