José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo
In this article I argue that the work of Mexican writer José Revueltas Sánchez (1914-1976) moves away from the conventions of Latin American philosophy as it leaves behind the experience of regret and nostalgia for the lost unity as well as the loss of being that was buried under colonialism. I also...
- Autores:
-
Sánchez Lopera, Alejandro
- Tipo de recurso:
- Fecha de publicación:
- 2016
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/40811
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556
http://hdl.handle.net/11634/40811
- Palabra clave:
- José Revueltas
Latin American philosophy
philosophical normalization
cinema and thought
images of thought
José Revueltas
filosofía latinoamericana
normalización filosófica
cine y pensamiento
imágenes de pensamiento.
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
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Sánchez Lopera, Alejandro2022-01-18T17:52:02Z2022-01-18T17:52:02Z2016-01-01https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/255610.15332/s1794-3841.2016.0025.02http://hdl.handle.net/11634/40811In this article I argue that the work of Mexican writer José Revueltas Sánchez (1914-1976) moves away from the conventions of Latin American philosophy as it leaves behind the experience of regret and nostalgia for the lost unity as well as the loss of being that was buried under colonialism. I also point out that, in order to achieve this, Revueltas opposes a thought without purpose and a non-moralist analysis of truth. To achieve this, I postulate that Revueltas uses a method based on the construction of a filmic image of thought. This allows him to build a different image of Latin America and its philosophy far from the ethos of suffering and victimization created by Europe. This image is one of Latin America as an island not as a continent.En este artículo sostengo que la obra del escritor mexicano José Revueltas Sánchez (1914-1976) se aleja de las convenciones de la filosofía latinoamericana, al dejar atrás la experiencia del lamento y la nostalgia por la unidad perdida, así como el extravío del ser sepultado por el colonialismo. Argumento, además, que a ello Revueltas opone un pensamiento sin finalidad y un análisis antimoralista de la verdad. Para lograrlo, postulo que Revueltas utiliza un método basado en la construcción de una imagen cinematográfica del pensamiento. Esto permite construir otra imagen de América Latina, y de su filosofía, por fuera de la moral del sufrimiento o la victimización por parte de Europa. Esa imagen es la de Latinoamérica como isla y no como continente.application/pdftext/htmlspaUniversidad Santo Tomás, Bogotá-Colombiahttps://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556/2488https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556/html3Hallazgos; vol. 13, n.º 25 (enero-junio 2016); 41-63Hallazgos; Hallazgos No.25 (January-June 2016); 41-632422-409X1794-3841José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundoJosé Revueltas and Latin American philosophy: cinematographic images of the worldinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1José RevueltasLatin American philosophyphilosophical normalizationcinema and thoughtimages of thoughtJosé Revueltasfilosofía latinoamericananormalización filosóficacine y pensamientoimágenes de pensamiento.http://purl.org/coar/access_right/c_abf211634/40811oai:repository.usta.edu.co:11634/408112023-07-14 15:30:04.089metadata only accessRepositorio Universidad Santo Tomásnoreply@usta.edu.co |
dc.title.spa.fl_str_mv |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
dc.title.alternative.eng.fl_str_mv |
José Revueltas and Latin American philosophy: cinematographic images of the world |
title |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
spellingShingle |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo José Revueltas Latin American philosophy philosophical normalization cinema and thought images of thought José Revueltas filosofía latinoamericana normalización filosófica cine y pensamiento imágenes de pensamiento. |
title_short |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
title_full |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
title_fullStr |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
title_full_unstemmed |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
title_sort |
José Revueltas y la filosofía latinoamericana: imágenes cinematográficas del mundo |
dc.creator.fl_str_mv |
Sánchez Lopera, Alejandro |
dc.contributor.author.none.fl_str_mv |
Sánchez Lopera, Alejandro |
dc.subject.proposal.eng.fl_str_mv |
José Revueltas Latin American philosophy philosophical normalization cinema and thought images of thought |
topic |
José Revueltas Latin American philosophy philosophical normalization cinema and thought images of thought José Revueltas filosofía latinoamericana normalización filosófica cine y pensamiento imágenes de pensamiento. |
dc.subject.proposal.spa.fl_str_mv |
José Revueltas filosofía latinoamericana normalización filosófica cine y pensamiento imágenes de pensamiento. |
description |
In this article I argue that the work of Mexican writer José Revueltas Sánchez (1914-1976) moves away from the conventions of Latin American philosophy as it leaves behind the experience of regret and nostalgia for the lost unity as well as the loss of being that was buried under colonialism. I also point out that, in order to achieve this, Revueltas opposes a thought without purpose and a non-moralist analysis of truth. To achieve this, I postulate that Revueltas uses a method based on the construction of a filmic image of thought. This allows him to build a different image of Latin America and its philosophy far from the ethos of suffering and victimization created by Europe. This image is one of Latin America as an island not as a continent. |
publishDate |
2016 |
dc.date.issued.none.fl_str_mv |
2016-01-01 |
dc.date.accessioned.none.fl_str_mv |
2022-01-18T17:52:02Z |
dc.date.available.none.fl_str_mv |
2022-01-18T17:52:02Z |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.drive.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.identifier.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556 10.15332/s1794-3841.2016.0025.02 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/11634/40811 |
url |
https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556 http://hdl.handle.net/11634/40811 |
identifier_str_mv |
10.15332/s1794-3841.2016.0025.02 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556/2488 https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2556/html3 |
dc.relation.citationissue.spa.fl_str_mv |
Hallazgos; vol. 13, n.º 25 (enero-junio 2016); 41-63 |
dc.relation.citationissue.eng.fl_str_mv |
Hallazgos; Hallazgos No.25 (January-June 2016); 41-63 |
dc.relation.citationissue.none.fl_str_mv |
2422-409X 1794-3841 |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.none.fl_str_mv |
application/pdf text/html |
dc.publisher.spa.fl_str_mv |
Universidad Santo Tomás, Bogotá-Colombia |
institution |
Universidad Santo Tomás |
repository.name.fl_str_mv |
Repositorio Universidad Santo Tomás |
repository.mail.fl_str_mv |
noreply@usta.edu.co |
_version_ |
1800786423790436352 |