La aparición de los signos del tiempo en la animación: una reflexión desde la filosofía del cine de Gilles Deleuze
Deleuze’s definition of animated cinema in his cinematic studies left open thequestion about whether animation can be considered to be the seventh art. Westart with the fact that animation isn’t just cinema, but that it also makes significantcontributions both in the development of it and in the phi...
- Autores:
-
Torres-Lizarazo, Juan Carlos
Díaz-Contreras, Gustavo Adolfo
Torres-Lizarazo, David Fernando
- Tipo de recurso:
- Fecha de publicación:
- 2017
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/5325
- Palabra clave:
- animated cinema
image-time
memories
philosophy
signs
time
cine animado
imagen-tiempo
pensamiento
recuerdos
signos
tiempo
Image-temps
films d’animation
pensées
signes
souvenirs
temps
filmes de animação
imagem-tempo
memorias
pensamentos
sinais
tempo
- Rights
- License
- Derechos de autor 2017 Quaestiones Disputatae: temas en debate
| Summary: | Deleuze’s definition of animated cinema in his cinematic studies left open thequestion about whether animation can be considered to be the seventh art. Westart with the fact that animation isn’t just cinema, but that it also makes significantcontributions both in the development of it and in the philosphical discussionsthat arise around it. In order to demonstrate this, we propose a detailed analysisof each one of the signs presented by Deleuze in his book Studies about cinematwo: the image-time (1987) in animated cinema, in order to deepen and rethinkthe work of the French philosopher. |
|---|