Lo familiar y lo femenino en la narrativa de Samanta Schweblin
The Argentine narrator Samanta Schweblin, member of the Granta and Bogotá 39 Selections, is the author of the novels Kentukis, Fever Dream and the books of short stories Siete casas vacías (Seven empty houses) and Mouthful of Birds. Her narrative, due to its characteristics, can be considered femini...
- Autores:
-
Cardenas, Ninfa
Parra, Jorge Iván
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39936
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/cfla/article/view/6064
http://hdl.handle.net/11634/39936
- Palabra clave:
- Samanta Schweblin
Granta
Fever Dream
Mouthful of Birds
female literature
Samanta Schweblin
Granta
Distancia de rescate
Pájaros en la boca
literatura femenina
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
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Cardenas, NinfaParra, Jorge Iván2022-01-18T16:18:12Z2022-01-18T16:18:12Z2021-01-01https://revistas.usantotomas.edu.co/index.php/cfla/article/view/606410.15332/25005375.6064http://hdl.handle.net/11634/39936The Argentine narrator Samanta Schweblin, member of the Granta and Bogotá 39 Selections, is the author of the novels Kentukis, Fever Dream and the books of short stories Siete casas vacías (Seven empty houses) and Mouthful of Birds. Her narrative, due to its characteristics, can be considered feminine (even feminist), as she creates universes from the perspective of women, in which their world —with all its objects, situations, rolls, experiences— is put in evidence and questioned, even from the writing techniques. This article offers a reading of the family environment built on the narrative of the Argentine author, the books Fever Dream (2014) and Mouthful of Birds (2009), from a female voice that can be considered part of that "new canon" in Latin American literature.La narradora argentina Samanta Schweblin, perteneciente a las selecciones Granta y Bogotá 39, es autora de las novelas Kentukis, Distancia de rescate y los libros de cuentos Siete casas vacías y Pájaros en la boca. Su narrativa, por sus características, puede considerarse femenina (incluso feminista), en tanto crea universos desde la perspectiva de la mujer, en los cuales su mundo —con todos sus objetos, situaciones, roles, vivencias— se pone en evidencia y se cuestiona, incluso desde las técnicas de escritura. Este artículo ofrece una lectura del ámbito familiar construido en la narrativa de la autora argentina, los libros Distancia de rescate (2014) y Pájaros en la boca (2009), desde una voz femenina que puede considerarse parte de ese “nuevo canon” en la literatura latinoamericana.application/pdfspaUniversidad Santo Tomás, Bogotá, Colombiahttps://revistas.usantotomas.edu.co/index.php/cfla/article/view/6064/6200Cuadernos de Filosofía Latinoamericana; Vol. 42 Núm. 124 (2021)Cuadernos de Filosofía Latinoamericana; Vol. 42 No. 124 (2021)2500-53750120-8462Lo familiar y lo femenino en la narrativa de Samanta SchweblinThe familiar and the feminine in Samanta Schweblin's narrativeinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Samanta SchweblinGrantaFever DreamMouthful of Birdsfemale literatureSamanta SchweblinGrantaDistancia de rescatePájaros en la bocaliteratura femeninahttp://purl.org/coar/access_right/c_abf211634/39936oai:repository.usta.edu.co:11634/399362023-07-14 16:00:58.373metadata only accessRepositorio Universidad Santo Tomásnoreply@usta.edu.co |
dc.title.spa.fl_str_mv |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
dc.title.alternative.eng.fl_str_mv |
The familiar and the feminine in Samanta Schweblin's narrative |
title |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
spellingShingle |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin Samanta Schweblin Granta Fever Dream Mouthful of Birds female literature Samanta Schweblin Granta Distancia de rescate Pájaros en la boca literatura femenina |
title_short |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
title_full |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
title_fullStr |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
title_full_unstemmed |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
title_sort |
Lo familiar y lo femenino en la narrativa de Samanta Schweblin |
dc.creator.fl_str_mv |
Cardenas, Ninfa Parra, Jorge Iván |
dc.contributor.author.none.fl_str_mv |
Cardenas, Ninfa Parra, Jorge Iván |
dc.subject.proposal.eng.fl_str_mv |
Samanta Schweblin Granta Fever Dream Mouthful of Birds female literature |
topic |
Samanta Schweblin Granta Fever Dream Mouthful of Birds female literature Samanta Schweblin Granta Distancia de rescate Pájaros en la boca literatura femenina |
dc.subject.proposal.spa.fl_str_mv |
Samanta Schweblin Granta Distancia de rescate Pájaros en la boca literatura femenina |
description |
The Argentine narrator Samanta Schweblin, member of the Granta and Bogotá 39 Selections, is the author of the novels Kentukis, Fever Dream and the books of short stories Siete casas vacías (Seven empty houses) and Mouthful of Birds. Her narrative, due to its characteristics, can be considered feminine (even feminist), as she creates universes from the perspective of women, in which their world —with all its objects, situations, rolls, experiences— is put in evidence and questioned, even from the writing techniques. This article offers a reading of the family environment built on the narrative of the Argentine author, the books Fever Dream (2014) and Mouthful of Birds (2009), from a female voice that can be considered part of that "new canon" in Latin American literature. |
publishDate |
2021 |
dc.date.issued.none.fl_str_mv |
2021-01-01 |
dc.date.accessioned.none.fl_str_mv |
2022-01-18T16:18:12Z |
dc.date.available.none.fl_str_mv |
2022-01-18T16:18:12Z |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.drive.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.identifier.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/cfla/article/view/6064 10.15332/25005375.6064 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/11634/39936 |
url |
https://revistas.usantotomas.edu.co/index.php/cfla/article/view/6064 http://hdl.handle.net/11634/39936 |
identifier_str_mv |
10.15332/25005375.6064 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/cfla/article/view/6064/6200 |
dc.relation.citationissue.spa.fl_str_mv |
Cuadernos de Filosofía Latinoamericana; Vol. 42 Núm. 124 (2021) |
dc.relation.citationissue.eng.fl_str_mv |
Cuadernos de Filosofía Latinoamericana; Vol. 42 No. 124 (2021) |
dc.relation.citationissue.none.fl_str_mv |
2500-5375 0120-8462 |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
rights_invalid_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Santo Tomás, Bogotá, Colombia |
institution |
Universidad Santo Tomás |
repository.name.fl_str_mv |
Repositorio Universidad Santo Tomás |
repository.mail.fl_str_mv |
noreply@usta.edu.co |
_version_ |
1800786325976121344 |