Las novelas de la memoria sobre el conflicto armado en Perú desde una perspectiva de género
In 1980 an internal armed conflict began between the Peruvian Communist Party Sendero Luminoso (PCP-SL) and the armed forces of the Peruvian State. This article focuses on the function of the literary discourse during the post-conflict and more specifically on the literary strategies for the represe...
- Autores:
-
Cárdenas Moreno, Mónica
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Universidad Santo Tomás
- Idioma:
- fra
- OAI Identifier:
- oai:repository.usta.edu.co:11634/43610
- Palabra clave:
- memory
Peru
armed conflict
literature
gender
memoria
Perú
conflicto armado
literatura
género
mémoire
Pérou
conflit armé
littérature
genre
- Rights
- License
- Derechos de autor 2021 Autores/as
| Summary: | In 1980 an internal armed conflict began between the Peruvian Communist Party Sendero Luminoso (PCP-SL) and the armed forces of the Peruvian State. This article focuses on the function of the literary discourse during the post-conflict and more specifically on the literary strategies for the representation of violence, on the relationship between literary production, as an elite cultural production, and the subaltern groups affected during and after the conflict. It is from this angle that the novels La voluntad del molle (The Will of the Molle) (2006), by Karina Pacheco, and La sangre de la aurora (Blood of the Dawn) (2013), by Claudia Salazar, are analyzed. In these two fictions, their female characters explore different roles that make us rethink the categories of “victim” and “guilty” in the logic of the memory of the defeated. These novels cross two frontiers: the frontier of the enclosed nation and the one that separates the “victims” from the “guilty”. |
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