Construcción del sujeto femenino: Una aproximación identitaria en las obras Al diablo la maldita primavera de Alonso Sánchez Baute y El lugar sin límites de José Donoso

Since the marginal literature started its peak moment in Latin America, new creations to perform reality have emerged from it; queer people have been assigned the main role of different literary pieces, showing their particularities and charm. Edwin Rodríguez and Manuela, main characters of Alonso S...

Full description

Autores:
Buitrago Quiñonez, Maira Gineth
Jaimes Barrera, María Camila
Tipo de recurso:
Masters Thesis
Fecha de publicación:
2017
Institución:
Universidad Santo Tomás
Repositorio:
Universidad Santo Tomás
Idioma:
spa
OAI Identifier:
oai:repository.usta.edu.co:11634/4304
Acceso en línea:
http://hdl.handle.net/11634/4304
http://dx.doi.org/10.15332/tg.mae.2017.00280
Palabra clave:
Sujeto femenino
Alonso Sánchez Baute
José Donoso
Subjetivación
Rights
openAccess
License
Atribución-NoComercial-SinDerivadas 2.5 Colombia
Description
Summary:Since the marginal literature started its peak moment in Latin America, new creations to perform reality have emerged from it; queer people have been assigned the main role of different literary pieces, showing their particularities and charm. Edwin Rodríguez and Manuela, main characters of Alonso Sanchez Baute’s Al diablo la maldita primavera and José Donoso’s El lugar sin límites are also a sample of this kind of literature. In the present case, the focus of attention is the construction of the feminine subject through the eyes of biological men, who think of themselves as women. It is the intention of the present paper to analyze the subjectivity of Edwin and Manuela and how they perform as women through their specific practices and the conceptual support of Foucault and Judith Butler.