Imaginarios sociales y conflictos en las expresiones de la música vallenata y la champeta en el Caribe colombiano
This reflection article, resulting from a strict research project, allowed to make an analysis of the discursive approach that frames the birth and development of champeta and vallenato music in the populations where they are representative (the cities Cartagena and Valledupar respectively) from a s...
- Autores:
-
Cano Yepez, Marlys
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39360
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6803
http://hdl.handle.net/11634/39360
- Palabra clave:
- Champeta
cultura
identidad
imaginario social
picó
vallenato
- Rights
- License
- Derechos de autor 2021 Autores
| Summary: | This reflection article, resulting from a strict research project, allowed to make an analysis of the discursive approach that frames the birth and development of champeta and vallenato music in the populations where they are representative (the cities Cartagena and Valledupar respectively) from a sociological perspective. In addition, it enabled to understand the existing relationship between the musical expressions of these genres, taking into account both the social imagery associated with each one, as well as, the understanding of the different social factors associated with their representations. |
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