Memoria y hip hop, Una metáfora de origen
This article develops a reflection about Colombian, Latin American, and Ibero-American hip-hop, taking Peter Burke’s proposal of Cultural History as initial referent of analysis, in the framework of the researcher’s training in the Doctorate in Social Studies of the Universidad Distrital Francisco J...
- Autores:
-
Pérez Romero, José Luis
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39353
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6510
http://hdl.handle.net/11634/39353
- Palabra clave:
- Hip Hop
Memoria
Historia Cultural
Metáfora
Rap
- Rights
- License
- Derechos de autor 2021 Universidad Santo Tomás
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Pérez Romero, José Luis2022-01-18T15:59:51Z2022-01-18T15:59:51Z2021-07-23https://revistas.usantotomas.edu.co/index.php/analisis/article/view/651010.15332/21459169.6510http://hdl.handle.net/11634/39353This article develops a reflection about Colombian, Latin American, and Ibero-American hip-hop, taking Peter Burke’s proposal of Cultural History as initial referent of analysis, in the framework of the researcher’s training in the Doctorate in Social Studies of the Universidad Distrital Francisco José de Caldas in the Memory, Experience, and Belief Line. A journey is proposed through the founding events of the appearance of hip-hop and its subsequent journey from the United States to other latitudes. From there, it proposes some metaphors of origin based on concepts such as trips, travelers, violence, gangsterism, music industry, among others. At the end, it raises some possibilities of analysis that contribute to the academic discussion about hip-hop, regarding the importance of memory in music studies. El presente artículo desarrolla una reflexión sobre el hip hop colombiano, latinoamericano e iberoamericano, tomando como referente inicial de análisis la propuesta de Historia Cultural de Peter Burke, en el marco del proceso de formación del investigador en el Doctorado en Estudios Sociales de la Universidad Distrital en la Línea de Memoria, Experiencia y Creencia. Aquí se propone un recorrido por los acontecimientos iniciales en el surgimiento del hip hop y su posterior viaje de Estados Unidos a otras latitudes; desde allí, plantea unas metáforas de origen que parten de conceptos como el viaje, los viajeros, la violencia, el pandillismo, la industria musical, entre otros. Al final, plantea algunas posibilidades de análisis que aportan a la discusión académica del hip hop, en cuanto a la importancia de la memoria en los estudios sobre música. application/pdfspaUniversidad Santo Tomás, Bogotá, Colombiahttps://revistas.usantotomas.edu.co/index.php/analisis/article/view/6510/6350Análisis; Vol. 53 Núm. 99 (2021): Los horizontes del Hip HopAnalisis; Vol. 53 No. 99 (2021): The horizons of Hip HopAnalisis; v. 53 n. 99 (2021): Los horizontes del Hip Hop2145-91690120-8454Derechos de autor 2021 Universidad Santo Tomáshttps://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2Memoria y hip hop, Una metáfora de origenMemory and Hip Hop, an origin metaphorinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Hip HopMemoriaHistoria CulturalMetáforaRap11634/39353oai:repository.usta.edu.co:11634/393532023-07-14 16:08:33.636metadata only accessRepositorio Universidad Santo Tomásnoreply@usta.edu.co |
| dc.title.spa.fl_str_mv |
Memoria y hip hop, Una metáfora de origen |
| dc.title.alternative.eng.fl_str_mv |
Memory and Hip Hop, an origin metaphor |
| title |
Memoria y hip hop, Una metáfora de origen |
| spellingShingle |
Memoria y hip hop, Una metáfora de origen Hip Hop Memoria Historia Cultural Metáfora Rap |
| title_short |
Memoria y hip hop, Una metáfora de origen |
| title_full |
Memoria y hip hop, Una metáfora de origen |
| title_fullStr |
Memoria y hip hop, Una metáfora de origen |
| title_full_unstemmed |
Memoria y hip hop, Una metáfora de origen |
| title_sort |
Memoria y hip hop, Una metáfora de origen |
| dc.creator.fl_str_mv |
Pérez Romero, José Luis |
| dc.contributor.author.none.fl_str_mv |
Pérez Romero, José Luis |
| dc.subject.proposal.spa.fl_str_mv |
Hip Hop Memoria Historia Cultural Metáfora Rap |
| topic |
Hip Hop Memoria Historia Cultural Metáfora Rap |
| description |
This article develops a reflection about Colombian, Latin American, and Ibero-American hip-hop, taking Peter Burke’s proposal of Cultural History as initial referent of analysis, in the framework of the researcher’s training in the Doctorate in Social Studies of the Universidad Distrital Francisco José de Caldas in the Memory, Experience, and Belief Line. A journey is proposed through the founding events of the appearance of hip-hop and its subsequent journey from the United States to other latitudes. From there, it proposes some metaphors of origin based on concepts such as trips, travelers, violence, gangsterism, music industry, among others. At the end, it raises some possibilities of analysis that contribute to the academic discussion about hip-hop, regarding the importance of memory in music studies. |
| publishDate |
2021 |
| dc.date.issued.none.fl_str_mv |
2021-07-23 |
| dc.date.accessioned.none.fl_str_mv |
2022-01-18T15:59:51Z |
| dc.date.available.none.fl_str_mv |
2022-01-18T15:59:51Z |
| dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
| dc.type.drive.none.fl_str_mv |
info:eu-repo/semantics/article |
| dc.identifier.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6510 10.15332/21459169.6510 |
| dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/11634/39353 |
| url |
https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6510 http://hdl.handle.net/11634/39353 |
| identifier_str_mv |
10.15332/21459169.6510 |
| dc.language.iso.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6510/6350 |
| dc.relation.citationissue.spa.fl_str_mv |
Análisis; Vol. 53 Núm. 99 (2021): Los horizontes del Hip Hop |
| dc.relation.citationissue.eng.fl_str_mv |
Analisis; Vol. 53 No. 99 (2021): The horizons of Hip Hop |
| dc.relation.citationissue.por.fl_str_mv |
Analisis; v. 53 n. 99 (2021): Los horizontes del Hip Hop |
| dc.relation.citationissue.none.fl_str_mv |
2145-9169 0120-8454 |
| dc.rights.spa.fl_str_mv |
Derechos de autor 2021 Universidad Santo Tomás |
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http://purl.org/coar/access_right/c_abf2 |
| dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Derechos de autor 2021 Universidad Santo Tomás https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
| dc.publisher.spa.fl_str_mv |
Universidad Santo Tomás, Bogotá, Colombia |
| institution |
Universidad Santo Tomás |
| repository.name.fl_str_mv |
Repositorio Universidad Santo Tomás |
| repository.mail.fl_str_mv |
noreply@usta.edu.co |
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1782026128964190208 |