Bad Bunny y Bach: Mitos e imaginarios culturales
This paper explores the notion of myth and collective imaginary as manifested in the figures of Bad Bunny (1994-) and Johann Sebastian Bach (1685-1750). Bad Bunny has been identified as the depositary of an imaginary that situates reggaeton as a musical genre that marks the moral decadence...
- Autores:
-
Castillo, Francisco
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39351
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/analisis/article/view/6498
http://hdl.handle.net/11634/39351
- Palabra clave:
- Bach
Bad Bunny
Mito
Reggaetón
Música Clásica
- Rights
- License
- Derechos de autor 2021 Universidad Santo Tomás
| Summary: | This paper explores the notion of myth and collective imaginary as manifested in the figures of Bad Bunny (1994-) and Johann Sebastian Bach (1685-1750). Bad Bunny has been identified as the depositary of an imaginary that situates reggaeton as a musical genre that marks the moral decadence of the culture. Bach, on the other hand, leads the canon of composers who make classical music a paradigm of cultured and elaborated Musical Art. The discussion suggests that both representations are part of a mythology that hides complex issues such as class discrimination and violent cultural hegemonies. The conclusions point to the demystification of both musicians as a strategy to not only appreciate their music in a more balanced way, but also to address social issues, without the fanaticism that both musical communities promote in their myths. |
|---|