El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe

This article aims to reflect, from the movie “The comedy of power” (Chabrol, 2005) on the idea proposedby Professor Carlos Gaviria Díaz to understand the Colombian Constitution as a set of mirrors, regardingthe celebration of the twenty years of the 1991 Constitution. To this purpose, the author wil...

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Autores:
SIERRA, JIMENA
Tipo de recurso:
Fecha de publicación:
2012
Institución:
Universidad Santo Tomás
Repositorio:
Repositorio Institucional USTA
Idioma:
spa
OAI Identifier:
oai:repository.usta.edu.co:11634/40961
Acceso en línea:
https://revistas.usantotomas.edu.co/index.php/iusta/article/view/1082
http://hdl.handle.net/11634/40961
Palabra clave:
Keywords
judicial power
constitution
set of mirrors
asymmetry.
poder judicial
Constitución
juego de espejos
asimetría.
Rights
License
http://purl.org/coar/access_right/c_abf2
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oai_identifier_str oai:repository.usta.edu.co:11634/40961
network_acronym_str SANTTOMAS2
network_name_str Repositorio Institucional USTA
repository_id_str
dc.title.spa.fl_str_mv El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
dc.title.alternative.eng.fl_str_mv Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case
title El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
spellingShingle El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
Keywords
judicial power
constitution
set of mirrors
asymmetry.
poder judicial
Constitución
juego de espejos
asimetría.
title_short El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
title_full El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
title_fullStr El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
title_full_unstemmed El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
title_sort El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõe
dc.creator.fl_str_mv SIERRA, JIMENA
dc.contributor.author.none.fl_str_mv SIERRA, JIMENA
dc.subject.proposal.eng.fl_str_mv Keywords
judicial power
constitution
set of mirrors
asymmetry.
topic Keywords
judicial power
constitution
set of mirrors
asymmetry.
poder judicial
Constitución
juego de espejos
asimetría.
dc.subject.proposal.spa.fl_str_mv poder judicial
Constitución
juego de espejos
asimetría.
description This article aims to reflect, from the movie “The comedy of power” (Chabrol, 2005) on the idea proposedby Professor Carlos Gaviria Díaz to understand the Colombian Constitution as a set of mirrors, regardingthe celebration of the twenty years of the 1991 Constitution. To this purpose, the author will take the reflectionsof some constitutionalists who have tried to analyze the relationship of asymmetry between theConstitution and reality, an evident gap in countries like Colombia. Also, from that idea, she will analyzesome of the issues highlighted in the film, such as the role of the judges in cases of corruption and societyunderstood as a set of power relations.The idea of thinking, from the film, about these topics of interest to different areas of law arises, first, fromthe concept of “empathy” proposed by some authors such as Richard Rorty and Martha Nussbaum, whohave referred to this notion as an indispensable means for the realization of rights, understood as the abilityto put yourself in the place of another. Here, turning to the cinema to reflect on law is consistent with theidea proposed by the movement “Cinema and law”: the cinema, as an art, builds empathy, produces reviewsand therefore, can be used to reflect and demonstrate through its own narratives different legal truths.
publishDate 2012
dc.date.issued.none.fl_str_mv 2012-12-12
dc.date.accessioned.none.fl_str_mv 2022-01-18T19:28:50Z
dc.date.available.none.fl_str_mv 2022-01-18T19:28:50Z
dc.type.spa.fl_str_mv Artículo revisado por pares
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.drive.none.fl_str_mv info:eu-repo/semantics/article
dc.identifier.none.fl_str_mv https://revistas.usantotomas.edu.co/index.php/iusta/article/view/1082
10.15332/s1900-0448.2012.0037.06
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/11634/40961
url https://revistas.usantotomas.edu.co/index.php/iusta/article/view/1082
http://hdl.handle.net/11634/40961
identifier_str_mv 10.15332/s1900-0448.2012.0037.06
dc.language.iso.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.usantotomas.edu.co/index.php/iusta/article/view/1082/1317
dc.relation.citationissue.spa.fl_str_mv IUSTA; Núm. 37 (2012)
dc.relation.citationissue.eng.fl_str_mv IUSTA; No. 37 (2012)
dc.relation.citationissue.none.fl_str_mv 2500-5286
1900-0448
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv http://purl.org/coar/access_right/c_abf2
dc.format.mimetype.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Santo Tomás, Bogotá-Colombia
institution Universidad Santo Tomás
repository.name.fl_str_mv Repositorio Universidad Santo Tomás
repository.mail.fl_str_mv noreply@usta.edu.co
_version_ 1782026101863743488
spelling SIERRA, JIMENA2022-01-18T19:28:50Z2022-01-18T19:28:50Z2012-12-12https://revistas.usantotomas.edu.co/index.php/iusta/article/view/108210.15332/s1900-0448.2012.0037.06http://hdl.handle.net/11634/40961This article aims to reflect, from the movie “The comedy of power” (Chabrol, 2005) on the idea proposedby Professor Carlos Gaviria Díaz to understand the Colombian Constitution as a set of mirrors, regardingthe celebration of the twenty years of the 1991 Constitution. To this purpose, the author will take the reflectionsof some constitutionalists who have tried to analyze the relationship of asymmetry between theConstitution and reality, an evident gap in countries like Colombia. Also, from that idea, she will analyzesome of the issues highlighted in the film, such as the role of the judges in cases of corruption and societyunderstood as a set of power relations.The idea of thinking, from the film, about these topics of interest to different areas of law arises, first, fromthe concept of “empathy” proposed by some authors such as Richard Rorty and Martha Nussbaum, whohave referred to this notion as an indispensable means for the realization of rights, understood as the abilityto put yourself in the place of another. Here, turning to the cinema to reflect on law is consistent with theidea proposed by the movement “Cinema and law”: the cinema, as an art, builds empathy, produces reviewsand therefore, can be used to reflect and demonstrate through its own narratives different legal truths.ResumenEn este artículo se pretende reflexionar, a partir de la película La comedia del poder (Chabrol, 2005), sobrela idea propuesta por el profesor Carlos Gaviria Díaz de comprender la Constitución colombiana como un juego de espejos, a propósito de la celebración de los veinte años de la Constitución de 1991. Para ellose tomarán las reflexiones de algunos constitucionalistas que han tratado de analizar la relación de asimetríaexistente entre la Constitución y la realidad; distancia que se evidencia en países como Colombia.Igualmente, a partir de dicha idea se analizarán algunos de los temas que se destacan en la película, comoel rol del juez en casos de corrupción y la sociedad entendida como un juego de relaciones de poder.La idea de reflexionar, a partir del cine, sobre estos temas de interés para diferentes áreas del derechosurge, por un lado, del concepto de “empatía” propuesto por algunos autores como Rorty o Nussbaum,que han aludido a esta noción como un medio indispensable para la realización de los derechos, entendiendopor tal la capacidad de ponerse en el lugar del otro. En este sentido, acudir al cine para reflexionaren derecho resulta consecuente con la idea propuesta por el movimiento “Cine y derecho”: el cine,como expresión artística, produce críticas y genera empatía; por lo tanto, puede servir para reflexionar yevidenciar, a través de sus propias narrativas, diferentes verdades jurídicas.Palabras clave: poder judicial, Constitución, juego de espejos, asimetría.AbstractThis article aims to reflect, from the movie “The comedy of power” (Chabrol, 2005) on the idea proposedby Professor Carlos Gaviria Díaz to understand the Colombian Constitution as a set of mirrors, regardingthe celebration of the twenty years of the 1991 Constitution. To this purpose, the author will take the reflectionsof some constitutionalists who have tried to analyze the relationship of asymmetry between theConstitution and reality, an evident gap in countries like Colombia. Also, from that idea, she will analyzesome of the issues highlighted in the film, such as the role of the judges in cases of corruption and societyunderstood as a set of power relations.The idea of thinking, from the film, about these topics of interest to different areas of law arises, first, fromthe concept of “empathy” proposed by some authors such as Richard Rorty and Martha Nussbaum, whohave referred to this notion as an indispensable means for the realization of rights, understood as the abilityto put yourself in the place of another. Here, turning to the cinema to reflect on law is consistent with theidea proposed by the movement “Cinema and law”: the cinema, as an art, builds empathy, produces reviewsand therefore, can be used to reflect and demonstrate through its own narratives different legal truths.Keywords: judicial power, constitution, set of mirrors, asymmetry.Resumo:Este artigo tem como objetivo refletir, a partir do filme “A comédia do poder” (Chabrol, 2005) sobre aideia proposta pelo professor Carlos Gaviria Díaz entender a Constituição colombiana como um jogo deespelhos, a respeito da celebração dos vinte anos depois de 1991 Constituição. Isso vai levar as reflexõesde alguns constitucionalistas que tentaram analisar a relação de assimetria entre a Constituição ea lacunade realidade é evidente em países como a Colômbia. Além disso, a partir dessa idéia, vai analisar algunsdos aspectos destacados no filme, como o papel dos juízes em casos de corrupção e de sociedade, entendidacomo um conjunto de relações de poder.A idéia de pensar, a partir do filme, sobre estes temas de interesse para diferentes áreas do Direito surge,em primeiro lugar, o conceito de “empatia”, proposto por alguns autores como Richard Rorty e MarthaNussbaum, que se referem a esta noção como um indispensável meios para a realização dos direitos,entendida como a capacidade de se colocar no lugar do outro. Aqui, vá ao cinema para refletir sobre direitoé consistente com a idéia proposta pelo movimento “Cinema e direito”: o cinema, como uma arte,constrói empatia produz opiniões e, portanto, pode ser usado para refletir e demonstrar através de suanarrativas diferentes verdades jurídicas.Palavras-chave: o poder judicial, constituição, jogo de espelhos, a assimetria.application/pdfspaUniversidad Santo Tomás, Bogotá-Colombiahttps://revistas.usantotomas.edu.co/index.php/iusta/article/view/1082/1317IUSTA; Núm. 37 (2012)IUSTA; No. 37 (2012)2500-52861900-0448El realismo mágico en Chabrol Algunas reflexiones sobre la película La1comedia del poder y el caso colombiano* Magical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian Case O realismo mágico Chabrol Algumas reflexõeMagical Realism in Chabrol’s Work Some Thoughts on the Film: “Comedy of Power” and the Colombian CaseArtículo revisado por paresinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Keywordsjudicial powerconstitutionset of mirrorsasymmetry.poder judicialConstituciónjuego de espejosasimetría.http://purl.org/coar/access_right/c_abf211634/40961oai:repository.usta.edu.co:11634/409612023-07-14 16:08:45.104metadata only accessRepositorio Universidad Santo Tomásnoreply@usta.edu.co