Apuntes para una revalorización del arte colonial con relación a Dios. El misticismo de Sor Francisca Josefa del Castillo

Through the 'Spiritual Affections' of the Abbess of Tunja, Sister Francisca Josefa de la Concepción del Castillo, a reflection on colonial art is posed around the question of its apparent usefulness as a 'vehicle of evangelization', investigating its genuine purpose in the mystic...

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Autores:
Perdomo-Morales, Juan Camilo
Tipo de recurso:
Fecha de publicación:
2020
Institución:
Universidad Santo Tomás
Repositorio:
Repositorio Institucional USTA
Idioma:
spa
OAI Identifier:
oai:repository.usta.edu.co:11634/29631
Acceso en línea:
http://revistas.ustatunja.edu.co/index.php/qdisputatae/article/view/1952
http://hdl.handle.net/11634/29631
Palabra clave:
Art
Colonial
Mysticism
Spirituality
God
Arte
Colonial
Misticismo
Espiritualidad
Dios
Art
Colonial
Mysticisme
La spiritualité
Dieu
Arte, Colonial
Misticismo
Espiritualidade
Deus
Rights
License
Derechos de autor 2020 Quaestiones Disputatae: temas en debate
Description
Summary:Through the 'Spiritual Affections' of the Abbess of Tunja, Sister Francisca Josefa de la Concepción del Castillo, a reflection on colonial art is posed around the question of its apparent usefulness as a 'vehicle of evangelization', investigating its genuine purpose in the mysticism of the Mother of the Castle and the relationship of her work with Him. The aesthetic purpose of the work of colonial art is to bring the Divine closer to the human, trying to reflect and communicate the testimony of a mystical spiritual search and experience lived by the author, inspired and revealed by God.