¿Quién es el genio de Kant?
The nature of the Kantian genius, one of the most disturbing figures in the aesthetics of the philosopher of Königsberg, is discussed, conjecturing about the possible role of freedom of the imagination in the genius’ task of “giving rule to art”. The darkness of the philosopher is postulated to e...
- Autores:
-
Tillería Aqueveque, Leopoldo
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/41648
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889
http://hdl.handle.net/11634/41648
- Palabra clave:
- Art
aesthetic
genius
taste
imagination
Kant
freedom
Arte
estética
genio
gusto
imaginación
Kant
libertad
Arte
estética
gênio
gosto
imaginação
Kant
liberdade
- Rights
- License
- Derechos de autor 2020 Revista Episteme
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Tillería Aqueveque, Leopoldo2022-01-18T20:44:53Z2022-01-18T20:44:53Z2021-01-15https://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889http://hdl.handle.net/11634/41648The nature of the Kantian genius, one of the most disturbing figures in the aesthetics of the philosopher of Königsberg, is discussed, conjecturing about the possible role of freedom of the imagination in the genius’ task of “giving rule to art”. The darkness of the philosopher is postulated to explain the origin of the genius, darkness that would be explained by the permanent tension that crosses all the critique of aesthetic judgement between genius and taste, or if you like, between freedom and academia.Se discute la naturaleza del genio kantiano, una de las figuras más inquietantes de la estética del filósofo de Königsberg, con el fin de conjeturar acerca del posible papel de la libertad de la imaginación en la tarea del genio de “dar la regla al arte”. Se postula la oscuridad del filósofo para explicar el origen del genio, oscuridad que se explicaría por la tensión permanente que cruza toda la crítica de la facultad de juzgar la estética entre genio y gusto o, si se quiere, entre libertad y academia.A natureza do gênio kantiano, uma das figuras mais perturbadoras da estética do filósofo Königsberg, é discutida, conjecturando sobre o possível papel da liberdade de imaginação na tarefa do gênio de "dar regra à arte". Postula-se a escuridão do filósofo para explicar a origem do gênio, escuridão que seria explicada pela tensão permanente que atravessa toda a crítica da faculdade de julgar a estética entre gênio e gosto, ou, se você quiser, entre liberdade e academia.application/pdfspaUniversidad Santo Tomás Villavicenciohttps://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889/6433Episteme; Vol. 12 No. 1 (2020): Episteme; 73-88Revista Episteme; Vol. 12 Núm. 1 (2020): Episteme; 73-882711-38332027-7504Derechos de autor 2020 Revista Epistemehttps://creativecommons.org/licenses/by-nc-sa/4.0/deed.eshttp://purl.org/coar/access_right/c_abf2¿Quién es el genio de Kant?Who is Kant’s genius?.Quem é o gênio de Kant?.info:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1ArtaestheticgeniustasteimaginationKantfreedomArteestéticageniogustoimaginaciónKantlibertadArteestéticagêniogostoimaginaçãoKantliberdade11634/41648oai:repository.usta.edu.co:11634/416482023-07-14 15:31:04.949metadata only accessRepositorio Universidad Santo Tomásnoreply@usta.edu.co |
dc.title.spa.fl_str_mv |
¿Quién es el genio de Kant? |
dc.title.alternative.eng.fl_str_mv |
Who is Kant’s genius?. |
dc.title.alternative.por.fl_str_mv |
Quem é o gênio de Kant?. |
title |
¿Quién es el genio de Kant? |
spellingShingle |
¿Quién es el genio de Kant? Art aesthetic genius taste imagination Kant freedom Arte estética genio gusto imaginación Kant libertad Arte estética gênio gosto imaginação Kant liberdade |
title_short |
¿Quién es el genio de Kant? |
title_full |
¿Quién es el genio de Kant? |
title_fullStr |
¿Quién es el genio de Kant? |
title_full_unstemmed |
¿Quién es el genio de Kant? |
title_sort |
¿Quién es el genio de Kant? |
dc.creator.fl_str_mv |
Tillería Aqueveque, Leopoldo |
dc.contributor.author.none.fl_str_mv |
Tillería Aqueveque, Leopoldo |
dc.subject.proposal.eng.fl_str_mv |
Art aesthetic genius taste imagination Kant freedom |
topic |
Art aesthetic genius taste imagination Kant freedom Arte estética genio gusto imaginación Kant libertad Arte estética gênio gosto imaginação Kant liberdade |
dc.subject.proposal.spa.fl_str_mv |
Arte estética genio gusto imaginación Kant libertad |
dc.subject.proposal.por.fl_str_mv |
Arte estética gênio gosto imaginação Kant liberdade |
description |
The nature of the Kantian genius, one of the most disturbing figures in the aesthetics of the philosopher of Königsberg, is discussed, conjecturing about the possible role of freedom of the imagination in the genius’ task of “giving rule to art”. The darkness of the philosopher is postulated to explain the origin of the genius, darkness that would be explained by the permanent tension that crosses all the critique of aesthetic judgement between genius and taste, or if you like, between freedom and academia. |
publishDate |
2021 |
dc.date.issued.none.fl_str_mv |
2021-01-15 |
dc.date.accessioned.none.fl_str_mv |
2022-01-18T20:44:53Z |
dc.date.available.none.fl_str_mv |
2022-01-18T20:44:53Z |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.drive.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.identifier.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/11634/41648 |
url |
https://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889 http://hdl.handle.net/11634/41648 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.usantotomas.edu.co/index.php/episteme/article/view/6889/6433 |
dc.relation.citationissue.eng.fl_str_mv |
Episteme; Vol. 12 No. 1 (2020): Episteme; 73-88 |
dc.relation.citationissue.spa.fl_str_mv |
Revista Episteme; Vol. 12 Núm. 1 (2020): Episteme; 73-88 |
dc.relation.citationissue.none.fl_str_mv |
2711-3833 2027-7504 |
dc.rights.spa.fl_str_mv |
Derechos de autor 2020 Revista Episteme |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es |
rights_invalid_str_mv |
Derechos de autor 2020 Revista Episteme https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Santo Tomás Villavicencio |
institution |
Universidad Santo Tomás |
repository.name.fl_str_mv |
Repositorio Universidad Santo Tomás |
repository.mail.fl_str_mv |
noreply@usta.edu.co |
_version_ |
1782026371985309696 |