Frida Kahlo, sobre vestido y cuerpo en psicoanálisis
This article approaches the work of the artist Frida Kahlo considering the function of semblance, the dress and the body in psychoanalysis. This work, developed through the method of deciphering proposed by Jacques Lacan, involves two moments: in the first one, the dress and the semblance, the funct...
- Autores:
-
Vargas García, Kelly
- Tipo de recurso:
- Fecha de publicación:
- 2021
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39364
- Palabra clave:
- psychoanalysis
creative act
The woman
identity
countenance
sublimation
Psicoanálisis
acto creador
La mujer
identidad
semblante
sublimación
psicanálise
ato criador
a mujer
identidade
semblante
sublimação
- Rights
- License
- Derechos de autor 2022 Autores
| Summary: | This article approaches the work of the artist Frida Kahlo considering the function of semblance, the dress and the body in psychoanalysis. This work, developed through the method of deciphering proposed by Jacques Lacan, involves two moments: in the first one, the dress and the semblance, the function of Tehuana’s costume and its relation with the Lacanian syntagma: The woman does not exist; in the second one, The body and the birth of the artist, the imaginary dimension of the body and the configuration of identity in the creative act are highlighted |
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