Literatura y subjetividad nacional: El caso del oscuro de Daniel Moyano y más liviano que el aire de Federico Jeanmaire
In Una excursión a los indios ranqueles (1870), there is a passage in which Lucio Mansilla creates a mythical story in order to justify before the ranquel chief the right of the whites over the land. The interpretative mold Mansilla uses to define cultural identities will be revisited in the literar...
- Autores:
-
Grenoville, Carolina
- Tipo de recurso:
- Fecha de publicación:
- 2010
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/39673
- Acceso en línea:
- https://revistas.usantotomas.edu.co/index.php/cfla/article/view/689
http://hdl.handle.net/11634/39673
- Palabra clave:
- Rights
- License
- http://purl.org/coar/access_right/c_abf2
| Summary: | In Una excursión a los indios ranqueles (1870), there is a passage in which Lucio Mansilla creates a mythical story in order to justify before the ranquel chief the right of the whites over the land. The interpretative mold Mansilla uses to define cultural identities will be revisited in the literary discourse. In this paper we will analyze two contemporary Argentine novels –El oscuro (1968) of Daniel Moyano and Más liviano que el aire (2009) of Federico Jeanmaire- which recreate the clashes of their respective contexts ofproduction in the light of the antinomies plotted during the 19th century and dismantle the mechanisms through which the elites built an image of the Argentine society as a white and European community.Key words: Narrative, Identity, Tradition, Colonialism, Violence. |
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