El canto de las moscas (Versión de los acontecimientos): Huella de la violencia ocultada contra el ser y el medio ambiente
This article is a pedagogical exercise mediated by a semiotic discursive analysis of The Song of the Flies (version of the events) of the Colombian poet María Mercedes Carranza in which we have explored the roots, conditions and mechanisms of the meaning of poems. We have done this through the analy...
- Autores:
-
Vanegas Athías, Beatriz
- Tipo de recurso:
- Fecha de publicación:
- 2011
- Institución:
- Universidad Santo Tomás
- Repositorio:
- Repositorio Institucional USTA
- Idioma:
- spa
- OAI Identifier:
- oai:repository.usta.edu.co:11634/35804
- Acceso en línea:
- http://revistas.ustabuca.edu.co/index.php/ESPIRAL/article/view/111
http://hdl.handle.net/11634/35804
- Palabra clave:
- Rights
- License
- Derechos de autor 2017 Espiral, Revista de Docencia e Investigación
| Summary: | This article is a pedagogical exercise mediated by a semiotic discursive analysis of The Song of the Flies (version of the events) of the Colombian poet María Mercedes Carranza in which we have explored the roots, conditions and mechanisms of the meaning of poems. We have done this through the analysis of the refiguring of the components of a semiosis, in addition to the classification of different types of signs and analysis of its performance at various levels: figurative and axiological semionarrative. This semiotic model is an educational tool for measuring how through the poetic discourse in question, consisting of twenty-four very short poems, in which each song is named after a Colombian population victim of slaughter, has managed a hidden violence against human beings and environment. |
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