Diseño sonoro ambisonics para una narrativa audiovisual en video 360 integrado a un ambiente de realidad virtual

The technological development in the audiovisual field has introduced 360 videos as an alternative to generate immersive experiences such as those achieved by videogames and virtual reality, and it has created the need to integrate sound environments that accompany and support the experience, tools...

Full description

Autores:
Melo Villegas, Pablo
Benjumea Gómez, Germán Alonso
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad de San Buenaventura
Repositorio:
Repositorio USB
Idioma:
spa
OAI Identifier:
oai:bibliotecadigital.usb.edu.co:10819/6889
Acceso en línea:
http://hdl.handle.net/10819/6889
Palabra clave:
Ambisonics
Diseño sonoro
Audio inmersivo
video 360
Unity
Facebook Spatial Workstation
Reaper
Logic X
Sound Design
Inmersive Audio
Ingeniería de sonido
Sistemas de procesamiento de audio
Mezcla de audio
Audio
Producción de audio
Audio digital
Video interactivo
Realidad virtual
Rights
License
Atribución-NoComercial-SinDerivadas 2.5 Colombia
Description
Summary:The technological development in the audiovisual field has introduced 360 videos as an alternative to generate immersive experiences such as those achieved by videogames and virtual reality, and it has created the need to integrate sound environments that accompany and support the experience, tools such as Ambisonics sound with the B-Format have been standardized for the creation of sound environments. This work aims to achieve a sound design for a 360 video using Ambisonics for Unity, creating a virtual reality environment, not before generating a methodology that specifies a logical procedure that facilitates its realization, besides comparing 2 tools for the production of Ambisonics audio, highlighting its pros and cons. It was possible to propose a functional methodology that includes processes of preproduction, production and postproduction, which trace the path to achieve an immersive sound design that complements the experience generated by a 360 video, tools such as Facebook Spatial Workstation were used on the DAW Reaper for the creation of the B-Format and Logic X for the creation of the original music.