Satanás de Mario Mendoza: una apuesta por salir de la convencionalidad narrativa desde la transmedialidad

This work offers a detailed analysis of Satanás by Mario Mendoza, observing from the literature how the transmedial approach is given through the visualization of the causes and effects of that change in the conventional narrative. For this, references such as Jenkins, Scolari, Kinder, etc. select how the transmedial operated in the literature and the way in which each of these conditions make the transmedial click on the narrative in a new world to discover, through different media, fields, and communication platforms in which the work for the recipients can access it according to their tastes and interests. A written novel (2002), a film (2007), and a graphic novel (2018) specifically so far to Satanás as a proposal for transmedial narrative. It shows some principles that make it comply with what is necessary to be classified as a narrative that has come out of the conventional and that is in the literary spectrum to meet the demands of different receivers who want, in their own way, to read what they have to Offer the author and take his own stance on consumption to create a new world.

• Autores: Marín Rúa, Luis Miguel
• Fecha de publicación: 2020
• Institución: Universidad de San Buenaventura
• Repositorio: Repositorio USB
• Idioma: spa
• OAI Identifier: oai:bibliotecadigital.usb.edu.co:10819/8063
• Acceso en línea: http://hdl.handle.net/10819/8063
• Palabra clave: Narrativa; Transmedialidad; Comunicación; Narrative; Transmediality; Communication; Literature; Novel; Literatura; Novela
• License: Atribución-NoComercial-SinDerivadas 2.5 Colombia