Rostro deshecho. Por un arte menor y sus alcances políticos en Deleuze
This paper aims to highlight one of the possible links between art and politics in the work of Gilles Deleuze. In order to undertake this analisis, we work based on the formulation of the “Baconian project” Deleuze presented in “Logic of sensation” and which begins to undo the face. That being said,...
- Autores:
-
Castro-Serrano, Borja
Fernández Ramírez, Cristian
- Tipo de recurso:
- Fecha de publicación:
- 2016
- Institución:
- Universidad de San Buenaventura
- Repositorio:
- Repositorio USB
- Idioma:
- spa
- OAI Identifier:
- oai:bibliotecadigital.usb.edu.co:10819/4620
- Acceso en línea:
- http://hdl.handle.net/10819/4620
- Palabra clave:
- Deleuze
Política
Arte
Rostro
Bacon
Deleuze
Politics
Art
Face
Bacon
Pensamiento filosófico
Arte - Aspectos políticos
- Rights
- License
- Atribución-NoComercial-SinDerivadas 2.5 Colombia
| Summary: | This paper aims to highlight one of the possible links between art and politics in the work of Gilles Deleuze. In order to undertake this analisis, we work based on the formulation of the “Baconian project” Deleuze presented in “Logic of sensation” and which begins to undo the face. That being said, we will develop the concept of faciality or rostrification that the the author criticizes as opposed to undoing the face, showing the relations between art and politics.The article concludes with the idea that a minor art and a minor policy effect and cut through this Baconian project the author calls “undo the face”. |
|---|